Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to the world they once knew.

Scream of the Bikini is a 1960s action-spy-thriller by acclaimed South American director, Fernando Fernandez. Jasmine Orosco and Paola Apanapal are Bridget and Sophia: gorgeous super models by day, brutal bounty hunters by night. Murder, intrigue and pillow fights await our beautiful leading ladies at every turn, as they match wits and martial arts with a coterie of madmen and women bent on world domination. Filmed somewhere in South America in 1966, and poorly translated and dubbed by Germans, this unintentionally funny James Bond meets Barbarella love child plumbs the seedy depths of the international fashion model/psycho-killer underworld with a boldness that only a gun to the head can provide.

Make me the Next Model Too is a model competition

Mehdi had planned to spend a quiet summer in his in-laws' sumptuous home. But as soon as he arrives, a conflict breaks out between his girfriend's family and the villa's janitor couple. As Mehdi comes from a modest background, he thinks he can lead the negotiations between the two parties and bring everyone back to their senses. But things start to escalate...

In Russia, the attitude to death is paradoxically irrational – we all seem to live forever. Entrepreneur Sergey Yakushin is the only reasonable "madman" who conducted a funeral "revolution" in his native Novosibirsk. Yakushin himself turned around to face death after being diagnosed with late-stage cancer 15 years ago. And they gave me a year of life.

Maurizio is a young journalist who works in a regional television. Luca is his cameraman. Tired of the daily routine imposed on him and of the assignments given by the owners Maurizio, decides to take a cue from reality to 'invent' stories that have a greater grip on the audience. Luca does not agree but Plays along. When their dangerous game seems about to be discovered, Maurizio has a new idea.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

Inheriting a family resort in Hawaii, the Wyatts find it in such a run-down condition that they decide to sell it after trying to fix it up. Amidst confusing goings-on among the triplet teenage girls and the boys they meet, Jeffrey meets an old high school rival who promises to keep the resort as-is if Jeffrey will sell it to him. He has other plans in mind, however, and they are not limited merely to Jeffrey's resort

Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.

Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.

A dyed-in-the-wool Londoner travels 10,000 miles to rural New Zealand to rekindle an old relationship, only to find that its fate lies in the paws of a faded old teddy bear.

Kiki is overjoyed and then overwhelmed when she agrees to cater to a big wedding. She turns to Clay for support. Together, Kiki and Clay prove that they best ingredient is love.

Stranded is a short horror survival machinima created by Alvin Soprano, made using The Sims 2: Castaway. After a shipwreck, a Sim regains consciousness on a remote tropical island with no memory of how he got there. He begins to gather supplies, search for shelter, and attempt to send signals for help. But as time passes, eerie signs begin to emerge — strange carvings in the rocks, whispers in the jungle, and footsteps that don't belong to him. As his grip on reality begins to slip, the Sim must face the possibility that the island isn’t uninhabited — and that something is watching him.

This film is based on a long-term study of the dreams of chimney sweepers. The most frequently encountered images have been selected from the abundant material available and the script was created on the basis of those images. Statistics support the claim that this film presents one of the dreams that chimney sweepers encounter most frequently.

"Alia" back to Port Said, to her brother's house to spend the day with him, Garret student University in Cairo, which does not have the world but her brother "adel" who works in the sea.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."