Midori: Sayonara, Gotō-san
Sayonara, Goto-san. is a recording of Midori's final show at Tokyo LIQUIDROOM on December 30, 2010, released on DVD on April 6, 2011.
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Nowhere to Turn
Twenty-six-year-old college graduate Soo Yeon may be jobless and also clueless about her future; but she does have one big dream: to study music in England. The only problem is that she has neither the talent nor the drive for her goal. One day she runs away from home and shacks up with her friend Dong Ho. Together, they form a band in hopes of entering the upcoming music competition. Despite Dong Ho's obvious signs of affection, Soo Yeon turns her eyes to a smooth-talking musician though she is too blind to see his ulterior motives. No money, no talent, and no strings to pull. Now what?
64: Part 2
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
Jurassic Fight Club
Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.
Hunter × Hunter Pilot
The stand-alone pilot OVA which was shown as part of the "Jump Super Anime Tour" of 1998. Shortly before the TV series, a summary is presented of the story of Gon who wants to become a hunter and the friends he makes in the process.
The Garden of Sinners: A Study in Murder (Part 2)
In February 1999, a string of murders has Shiki Ryougi and Mikiya Kokutou on edge. These crimes share a disturbing resemblance to a similar set of homicides from 1995, when Shiki and Mikiya first met, and awaken a dark, murderous desire that has laid dormant within Shiki's soul ever since then.
A Lure: Teen Fight Club
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
40
This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.
GCW Fight Club
GCW presents Fight Club straight from the Showboat Hotel in Atlantic City, NJ! The event features the GCW World Championship match where Mox defends against Gage in a match that we have been waiting for during the last decade. Who will be the new GCW World Champion?
The Great Train Robbery
A remake of Edwin S. Porter's film of the same title.
Don't Blink
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
Six Children and One Grandfather
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
I could have been offended!
Live stage recording of the stand-up comedy show, with sketches and videos of old skits from 'Mai dire Gol'.
Hello
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Avatar: Scene Deconstruction
The deconstruction of the Avatar scenes and sets
Panda
Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.
Ginger Snaps Back: The Beginning
Set in 19th Century Canada, Brigitte and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. But when one of the girls is bitten, they have no one to turn to but themselves.
A Message from Mars
A Martian is sentenced to visit earth to cure a selfish man.
The Boss Baby: Get That Baby!
Think you've got what it takes to be the boss? This interactive special puts your skills to the test and matches you up with one of 16 jobs at Baby Corp.
People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.