Mike Tyson vs. Evander Holyfield, billed as "Finally", was a professional boxing match fought between Evander Holyfield and Mike Tyson for the World Boxing Association heavyweight championship on November 9, 1996 at the MGM Grand Garden Arena in Las Vegas, Nevada. The bout was Tyson's first defense of the WBA title that he had won from Bruce Seldon on September 7 of that year. The referee officiating the fight was Mitch Halpern. The fight was promoted by Don King Promotions and carried on pay-per-view by Showtime. The bout was the first fight pitting the two boxers against each other and it would be followed up with a subsequent rematch.

Chaos follows a deadly duo of maniac assassins after they host a brutal, no-holds-barred tournament inside a sinister steel cage surrounded by razor-sharp barb-wire after luring hungry, aspiring models into the backwoods of Columbus, Ohio with a prize too good to be true. Just as they turn the tide on each other, a mysterious and haunting violent vixen, literally with an ax to grind threatens their status as deadly assassins in this blood-soaked, sweat-drenched nightmare you'll never forget. Inspired by shockingly true events.

The crew from Outkast Paranormal dive deep into Myakka City, Florida, to investigate the mystery of the skunk ape like no one has before.

In the year 2035, survivors of a now almost completely evacuated post-apocalyptic Britain compete for a government bounty to retrieve a mysterious bio weapon known only as Unit Eleven.

The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.

Join King Andreas and friends as they search to know how to handle their newfound power. What will become of the Moosehead on stick?

Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.

Sten Stensson Stéen has been challenged by a professor of law in a TV-game-show. Stensson, always fighting against immorality, comes to Stockholm a few days before the the broadcast to teach the young generation how to behave. A gang of crooks mistakes him for a famous dynamiter that they've been waiting for.

In this fast-paced Greek wedding comedy, young lovers Ilias and Marina arrive on the island of Crete for their wedding, along with their large, boisterous families all eager to celebrate the nuptials. However, when a typo on the wedding invitation confuses the reception venue and scatters the guests in different directions, they embark on a collision course of increasingly comedic proportions.

Living Distance is a fantasy and a mission, in which a wisdom tooth is sent to outer space and back down to Earth again. Propelled by a crystalline robotic sculpture called EBIFA, the tooth becomes a newborn entity in outer space. Its performance is about death, body, and home, in a world where our science exploration and spiritual journeys are diverging.

A documentary overview of the career of silent cinema pioneer Edwin S. Porter.

After World War II, scores of refugees leave in search of a new home. They now stand in the hall of a large mansion, waiting to receive their deeds of ownership for sections of land that the lord of the manor had left behind after he fled. Among them is young Jeruscheit who, during her travels, had to bury one of her own children. Her husband has been declared missing, and up until now she has had little purpose in life. But then she discovers it: to work, to build, and to help others. And maybe someday Jeruscheit will find her family.

At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah's new, hypnotic film opus, which turns the American tradition of social realist street photography into its own art form.

Forbidden Worlds establishes itself as the premier purveyor of Horror and Mayhem with a trilogy of gothic tales of demonic possession. (1). The Devil's Spell: Bodies drop in a night of terror as an evil witch comes back to kill the descendants of the witch hunters who burned her...300 years earlier! (2). Witches' Dolls: A literal demon disguised as a sweet little old lady is hell-bent on capturing the souls of unsuspecting boarders and imprisoning them in her hideous book of paper dolls. (3). Resurrection of The Damned: A man haunted by the ghost of his dead father and enticed by black magic enters a world that goes beyond the wildest imagination. (1). "The Devil's Spell" segment begins: (at 0:44) and is an excerpt from the film: "Witchouse (1999)" (2). "Witches Dolls" segment begins: (at 30:42) and is an excerpt from the film: "Stitches (2001)" (3). "Resurrection of The Damned" segment begins: (at 58:07) and is an excerpt from the film: "Netherworld (1992)"

Recorded live in the studio of KQED in San Francisco, April 25th, 1967, for a television broadcast. In black & white. Also has an interview with the entire band.