A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

A cinematic collage about people caught between two worlds. An empathetic look at a physical journey and the melodramas of a journey that is spiritual. Nikita Pavlov emigrated from Russia to Israel because he always wanted to experience life in another country. Street protests, political activism, and his daughters first steps are captured without any chronological context, separated only by Pavlovs thoughts and ideas. A cinematic diary that attempts to piece together a hypothetical picture of the filmmakers future.

In a professional school a girls and boys brigades are competing to finish the big order in time.

“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

Two guys are arguing about the meaning of life and the purpose of humankind's existence. 'Why do we exist and who are we?' - this is the question.

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

Railway Raju, an aspiring cricketer, watches his dream of joining the Indian team going down in flames after he invites the ire of an ambitious police officer. Sadly, he turns to the world of crime.

Scripted- in this world we all are playing our respective rolls, a great filosopher Eric berne (disciple of sigmund freud) said that we all have our script in our mind, that called life script. we need to figure it out what we have to do with our life. What if, script physically exists in this world? People can play their respective roles according to their script. They can change their script according to their demands. Actually they can change their destiny. As William Shakespeare said -“All the world's a stage, and all the men and women merely players, they have their exits and their entrances.”

Sada, meaning «echo» in Arabic, was conceived as Sada for Iraqi art by the Baghdad-born Rijin Sahakian. Sahakian set up the initiative, which ran from 2011 to 2015, in order to support Baghdad-based artists facing the damage done to the contemporary art infrastructure in Iraq after cycles of war, destruction, sanctions, and continual political insecurity. For «documenta fifteen», Sahakian invited former participants of Sada to produce video work reflecting on their practice and where they are today. The participating artists are Sajjad Abbas, Bassim Al Shaker, Layth Kareem, Ali Eyal, Raed Mutar, Sarah Munaf, and Sahakian herself. This almanac is a valuable historical document about a country destroyed by a bloody war.

David Warrington is an old-fashioned boy, not very familiar with modern girls. When the girl of his dreams lets her kiss him, he thinks that seals their betrothal. But when he finds out that she has other ideas, David tries a trickier method of winning her for his bride.