Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.

A middle-aged married wealthy white corporate executive is surprised to discover that he has a working-class black teen-age son who wants to be adopted into the almost-exclusively-white upper-middle-class community of San Marino, California.

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

Sheik Ahmed desperately desires feisty British socialite Diana, so he abducts her and carries her off to his luxurious tent-palace in the desert. The free-spirited Diana recoils from his passionate embraces and yearns to be released. Later, allowed to go into the desert, she escapes and makes her way across the sands...

A cop, a lawyer, and an assassin cross paths after the murder of a federal witness and the kidnapping of a famous pop star.

Junkichi is the son of a rich landlord, while Koyuki is the daughter of a poor lumber worker. The mismatched pair soon finds love, and against his father's wishes, Junkichi decides to run away with Koyuki to start a new life. But when Junkichi is called off to war, they make a pledge to sing the song of engagement everyday until they are able to reunite

Paul Winkelmann is the CEO of a successful business in Hamburg that he took over after the death of his father eight years ago. But he is still strongly dominated by his 78 year old mother who cares for him as a child, and who cannot understand why he took an apartment on his own after all these years. The real "problem" starts when Paul gets to know psychologist Margarethe Tietze whose relationship to her parents is also not so easy after all.

At 9:00, Laurent receives a worrying text message. 9:01, his mobile's stolen. 9:30, his son disappears. 10:00, his house burns down. 10:15, his wife leaves him. 10:30, his company goes bankrupt. 11:00, he's in custody. The day's got off to a bad start.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.

Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.

Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing. Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite. Jean is a controversial career-climbing writer/politician at a crossroads in life.

Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

Vigilante, a small armored truck company, is in full crisis mode. Victim of three violent hold-ups in a year, which left no survivors, the company is on the verge of bankruptcy and its employees are extremely worried. Some even suggest a complicity between the robbers and the firm. It is in this difficult context that a man, Alexandre Demarre, one morning presents himself to start his first day of work at Vigilante.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?