The monkeys are swinging; their song and dance routine has other jungle creatures joining in. And two monkeys in love chase and kiss. But the hungry crocodiles lie in wait (and dance the soft shoe).

Nora is a single mother who wants to live the life of an artist, as do her friends -- a group of Melbourne writers, actors and musicians. But when she's drawn into a passionate affair with a heroin addict, Nora struggles to maintain control of her life.

Adam, Siwy and Dworaczek are teenage boys from poor Silesian families. They spend their time wandering around dumps, robbing cars. From time to time they try to sell the stolen items, but usually get into brawls with adults in the process. One day the boys are faced with the possibility of making their "big heist." However, it turns out that this act brings them nothing - neither a sense of success nor money. Will their dreams of escaping the monotonous, tedious reality never come true?

Radu, 45, rich and single, manages his business with a strong, unwavering hand and no scruples. His competition is now leading a charge against him on the stock market, which prompts Radu to remember a childhood game of beer bottle caps, a game that required risk-taking, effort and skill. A heart attack and the news that he might need a heart transplant determines him to head to a remote place, where the Danube river meets the sea, a place of simple people and age-old customs.

up, down, wait. scritch, scratch, scream. smoke, yell, climb. wait, lemme think.

This picture shows an old gentleman seated at his shaving table. The razor is evidently giving him a great deal of trouble...

A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?

A very rare Japan-only video with eleven promo clips.

Joe the Burglar explains how he goes about his job for the benefit of the audience, providing a lesson in how to avoid being broken into.

A young man goes to a house party in order to fix his strained relationship with his ex-girlfriend.

A group of college students form a music troupe. However, their dreams of becoming musicians come to a halt when the main singer of the troupe falls in love with a girl.

The manager of a company proposes a daring plan for keeping the workers’ morale high.

Reflection is a short film that reflects how others see us in relation to who we actually are, and that nobody is or ever will be perfect in others' eyes. As Lamis closes her eyes she realizes that everything that happens in her head isn't true, and that she shouldn't compare herself to other people, and not everything we see is the truth.

Pluto walks past the zoo and sees the huge bone the sleeping lion has but getting it out is easier said than done. He gets it out of the lion's cage, but then has to face the kangaroo and its playful joey. Next is the gorilla, then the crocodiles.

1977 documentary film created to promote the European leg of the “Rumours” tour. Includes behind-the-scenes interviews, rehearsal footage and includes footage of Fleetwood Mac performing in concert at the University of California, Santa Barbara (UCSB) in May 1976: World Turning / Rhiannon / Say You Love Me / Go Your Own Way / You Make Loving Fun / I’m So Afraid

Towards the end of 2015, James Benning made one of his occasional expeditions to Utah, to the place where Robert Smithson's colossal land-sculpture Spiral Jetty (1970) extends out into the Great Salt Lake. The water-level was low, leaving the vast bulk of the Jetty exposed in the crisp air. His film measuring change captures two thirty-minute periods of that particular day, in the unblinking, unmoving takes that have become his trademark––beginning at 8:57am and 3:12pm respectively. A belated digital companion piece to his 16mm masterpiece casting a glance (2007), this new film hypnotically contemplates Smithson's art-work in relation to its wider environment and to the humans who walk on and around its gargantuan coils.