In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.

In this campy throwback to 1950s monster films, a vicious monster, the Riverbeast, has arisen from its watery lair to terrorize a peaceful New England town. Local tutor Neil Stuart has seen the beast before, but nobody believed his story, making him the town laughingstock. Neil sets out to not only prove that the Riverbeast exists, but also, with the help of his beautiful pupil, scrappy tutor buddies, and a former professional athlete, to vanquish the aquatic menace!

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Simon, a renowned actor with years of experience in the film industry, had always dreamed of visiting Universal Studios Hollywood. One day, his sister Divya, who lived in Los Angeles, invited him for a visit. Excited by the opportunity, Simon accepted. Deepika, his close friend, dropped him off at Heathrow Airport. As the plane soared toward Los Angeles, Simon's excitement grew. When he landed, Divya was there to greet him with a warm smile, ready to show him the best of her city. The highlight of his trip was finally stepping into Universal Studios Hollywood. Walking through the iconic film studio, Simon felt like a child again. He explored thrilling rides, marveled at behind-the-scenes tours, and met new friends who shared his passion for cinema. "This place truly is the heart of the film industry," Simon said, taking in the vibrant atmosphere. For him, Universal Studios Hollywood wasn't just a theme park-it was a celebration of the art he had dedicated his life

The third installment of SD Gundam shorts.

The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.

The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.

The Stievenart family decides to spend their vacation far away and puts an ad on the internet. The Mailon family responds by offering to exchange homes. But the Stievenart family has an environmentally friendly house, while the Mailons consume a lot of energy.

While investigating a UFO in the Sky Ace, J.A.K.Q. is caught off guard by the return of Iron Claw, with the Big Four now leading the remnants of Crime and the Black Cross Army.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

in the summer of 1966, in Beloeil, Québec, where a young girl named Élise is enjoying summer vacation. Summer 1966. It's time to enjoy the summer holiday, total freedom. Suddenly her mother leaves her family to pursue her journalism career in London. Her urge to leave is triggered when she coincidentally listens in on a conversation between her husband and his male lover. Her brother Coco seeks solace in the garage, building a super racing car. Her youngest brother Benoît throws himself into his own inner world. The father seems absolutely knocked out by the situation. Élise decides to take control of her family, in an eloquent attempt to save them. With the assistance of flourishing nature around her, she stands on the threshold of an incomparable summer.

Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

On 12 May 1978, Kate made her debut on Dutch television in a program that has gotten to be known as “De Efteling Special”. The amusement park De Efteling served as a backdrop for six songs of The Kick Inside: Moving, Wuthering Heights, Them Heavy People, Strange Phenomena, The Man With The Child In His Eyes, and The Kick Inside. On 10 May 1978, the Efteling was ready to open the Haunted Castle, the most expensive attraction it had ever constructed (designed by Ton van der Ven), and they wanted to promote it. In April a documentary featuring the Haunted Castle was made by filmmaker Rien van Wijk, who was eager to shoot in the latest attraction before it officially opened. Kate, who just had a big hit with Wuthering Heights, was approached for a television special that would promote both Efteling and her songs. This is the original broadcast of May 12, 1978. The original 16m film is lost; this is a copy of the uMatic version that is the only version left.

"Far above information is gathered, collected, processed. From this vantage point, borders are data points, just more manipulations of the land below. Territories are clearly demarcated, and where there is unclarity, there is tension. Over time, the information is the landscape, there is little need for physicality - it is just digested and stored like everything else. The engine is ever hungry."

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.