A communal drug family begins to dissolve from within while a University student watches and records it all.

Inpired from the movie "Liar Liar", this movie is about a lawyer (Govinda) who lies his way through marriage and career. His wife (Sushmita Sen) falls in love with him because of his honesty and when she finds out of his dishonesty she threatens to divorce him. Their son, to avoid the divorce, wishes on a shooting star that his father should lose the ability to lie. What happens after that is an enjoyable journey.

Making of documentary surrounding the production of ‘Anora’

Are we born criminal or we became one ?

An experimental film through the eyes of a man

Foghorn Leghorn makes the mistake of volunteering to mind Widow Hen's mischievous son while she's away.

A Latina working in Los Angeles as a messenger is randomly discovered and fashioned into a pop music star.

Outraged by Redleg atrocities, the James and Younger Brothers along with Kit Dalton join Quantrill's Raiders and find themselves participating in even worse war crimes.

Two brothers from a dysfunctional family chase their respective dreams while engaging in other bizarre antics. One brother dreams of becoming a manga artist and the other wants to be a professional baseball player.

Jinhyeon, a social worker, learns that Yeongjin, a social service personnel in his charge, has been kicked out of his house and is living on the streets, so he allows him to stay at his house. Meanwhile, Sunrye, an elderly woman who visits the welfare center, complains to Jinhyeon too often.

Liang Po Po: The Movie is a Singaporean film directed by Jack Neo in 1999. It stars the comedian director Jack Neo himself, who cross-dresses as the titular old lady, which in English is translated as "Granny Neo". Liang Po Po, a lovable 85 year old granny, decides to leave the Old Folks Home in search of a new life. Believing that she can still contribute to the good of the society, the determined old lady sets on a path where she soon realizes how her trusting and naïve nature can be used against her.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

Bruce Torrence is an aviator and member of the secret service. His rival for the hand of Zella Wingate is Juan Lascelles, a drug smuggler. To get rid of Torrence, Lascelles loosens a wheel on one of his planes, but Zella is the one who goes up in it. Torrence goes up in another plane and attaches a fresh wheel to Zella's plane. In spite of his efforts he later finds her in Lascelles' arms.

EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.

A group of friends in their thirties meet for a weekend in a mountain chalet for what will be a sort of review of an era in their lives and their relationships.

Including Youssou N'Dour And Le Super Etoile De Dakar In October 1987. After many months on the road, it was in the elevated surroundings of the hillside open-air theatre at Lycabettus overlooking Athens that the So tour came to a climactic close. The three nights were filmed in what was the first-ever Peter Gabriel concert to be committed to film.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.