the village raiders take on their greatest test yet, the lake district (they fail) - sponsored by bourbons

Mesmerist Jonathan Sage escapes Nazi Germany via a cryogenic tube. In the 1980s, a group of Fascist Americans thaw him out, hoping to use him as a way to rid their community of homosexuals, free-thinkers, and other "radicals."

A scientist places her son and his girlfriend into a cryogenic sleep so that they can survive the coming apocalypse. They wake 25 years later in a world dominated by a fascistic ruler called the Messiah, who holds the "Death Run," a deadly gauntlet.

Bhau and Chochya, are small time real estate agents in a small town who happens to meet Dr. Amruta Deshmukh from the city who wants to open a surrogacy hospital in their town.

Between fiction and documentary, this film shows a portrait of the persona of a transsexual that goes far beyond simplistic voyeurism. The film offers a respectful image of masculine sexuality, with a character ahead of its time, through the telling of Betty about his childhood, daily life, pleasure, self-esteem and social marginalization.

A French soldier in the Napoleonic Wars plots his escape after he's captured and imprisoned in a castle fortress in Edinburgh, Scotland. Director Philip Rosen's 1949 film, adapted from a novel by Robert Louis Stevenson, stars Richard Ney, Vanessa Brown, Henry Daniell, John Dehner, Douglas Walton, Aubrey Mather, Jean Del Val, Luis Van Rooten, Maurice Marsac and Billy Bevan.

A 4 year-old boy stands in awe of a 1,000 year-old Viking boat in a small Norwegian museum and finds within its silent grace an impressionistic sweep of picture and music revealing the rich spirit of Norway and its people. (This is the movie that was shown after the Maelstrom Ride in Epcot Center)

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

A woman adopts a child and discovers that she can love again despite facing a wicked man.

Captain Irving Johnson sailed aboard the bark "Peking" in 1929, as the sun set on the day of commercial sail. During his voyage on the big German windjammer, Johnson compiled unequaled footage of the crew's daily activities, and spectacular images of a wild storm as the ship made the dangerous passage around. Johnson's narration of the trip is a delight.

A look at the formation of the new league

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

Soraya (Neda Rahmanian) and André Faber (Matthias Koeberlin) are worried about their 16-year-old daughter Mila (Hannah Schiller), who - presumably due to the bad influence of her boyfriend Leon (Paul Sundheim) - is in danger of slipping away from them. Without further ado, they invite Leon's parents Viktor (Maximilian Grill) and Monika Popow (Josefine Preuss) to their spacious architect-designed house for dinner. While the rich Fabers are still thinking about a considerate, understated style of clothing, Viktor and the cashier Monika arrive on their motorbikes already dressed up - in a fighting mood. The evening takes an unpredictable course with increasing dynamics and in view of the adolescent behavior of the unleashed parents.

A reflexion on the themes of loss and grief, mirrored in a family struck by tragedy.

A group of bandits conspire to kidnap a scientist who can help them manufacture diamonds.Unbeknownst to them , the FBI is already on their case.

A documentary about Danko Jones

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.