Gopi is having a moderate but highly respected life as a Tehsildar(regional land and tax officer) but his wife wants more.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

The Paragraph Man is the faltering, stumbling, comic, sad and tragic story of an immigrant youngsters journey towards sociopolitical awareness, a very first attempt to understand his true situation as an immigrant in post-colonial Sweden.

The successful development of a new type of AI smart chip has triggered violent seizures by foreign forces. In order to protect the chip, Zhanfeng was seriously injured and lost his memory. In the process of searching for the memory and the whereabouts of the chip, while fighting against foreign forces, they also uncovered the grievances and grievances between Dai Xingguo and Nie Lingfeng over the years.

Ryu obsessively pursues a CRIME agent who steals a powerful new explosive and takes control of a powerful supercar. This is a theatrical presentation of episode 7 of the J.A.K.Q. Dengekitai television series.

Abang and Adi are undocumented orphans living in present-day Malaysia. While the older brother, a deaf mute, has resigned himself to a life of poverty, his younger sibling burns with indignation. A brutal accident upsets the fragile balance of their relationship.

His story follows a schoolgirl named Akari Tokimiya and the fantastical adventure which occurs when she visits the memorial service of her grandfather Kenzo, a master special effects man. She has unhappy memories of the old man and his passion projects, the last of which he died during the making of. At the memorial service, she meets classmate Takuya, a tokusatsu superfan, and a strange person named Hozumi, the star of the movie Kenzo was making when he died. Hozumi has with him a prop from the film, the titular “Brush of the God,” which transports Akari and Takuya into the world of the movie where they face fearsome Kaiju, including the legendary Yamata-no-orochi who is attempting to destroy everything. If they are to survive and get back to their homes, Akari and Takuya must find out the secret of the movie.

The firm of John Sterling and Sons bad been organized by his father, and when son Gilbert was old enough, he took active part in the management. Gilbert's love for the high life led him away from his duties, and it was nothing unusual for him to spend six nights out of the week with questionable company. Early one morning, intoxicated, Gilbert finds his way to his home. His father reprimands him and finally puts him out of the house, telling him "never to return."

Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it raises ethical questions while the screen explodes with erotica."EVENTS is without question, the most far-out sexually experimental film made in the sixties or seventies."--Bruce Williamson, Playboy

Peter loves nature, especially during summer. Known for his sense of humor, he enjoys the warmth and long days of the season. One day, his friend Lisa suggested a trip to the mustard fields in Alton, Hampshire. The two decided to go, and when they arrived, they were greeted by the stunning sight of blooming yellow mustard flowers. The fields were bright and beautiful, a perfect summer scene. This is the story of Peter and Lisa's visit to the mustard fields.

The short film directed by film student Julius Jaramillo follows an Uber driver on his daily route driving a myriad of people around Los Angeles. His passengers are forced to listen to his favorite podcast as hosts Julius and Brian narrate their most killer stream yet.

Private eye George accepts the job to shadow a woman and to film her on video. But it's a set-up: the film is manipulated and used against him when the woman is killed. He has to prove his innocence against a load of circumstantial evidence.

Two friends turn on each other after discovering a rare artefact beneath a sacred shrine, and must hone their respective skills if they are to fight one another to the death in hopes of claiming it.

SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors. 1+8 is filmed close up on border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq, Syria and the Kurds who are scattered amongst the many without a homeland, exploring what connects and separates the people on both sides. The film showcases through intimate portraits, personal accounts and cinematographic tropes, Turkey’s eight borderlands revealing the political and cultural dynamics of life on those frontiers. The contemplation of all eight neighboring countries reveals the complexity and importance of Turkey’s geo-political position between West and East, Europe and Asia, the European Union and the Middle East.

When the wolf returns to the forests of my childhood, I grab my camera. On the summits, I meet Alphonse, a shepherd nearing retirement. And this encounter captivates me. I follow him as he passes the baton to a couple of young shepherds, for the last season of his last mountain.

Falling Star is based on three stories by the contemporary Russian writer Viktor Astafyev and centers on a young soldier on the front lines who is wounded and taken to the hospital. Once there, he muses about his childhood and a little girl he had loved - someone who could easily have grown up to be the nurse that is attending to him now. As he recuperates, he and the nurse fall in love and he very much wants to marry her. At this point, the nurse's mother comes for a visit and advises him against such an action because if they were to marry and he were subsequently killed or maimed in action - the fighting is still close to the hospital - the nurse would suffer much more than if he just left her alone. Now it is up to the soldier to make a decision one way or the other.