This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.

Filmed at the Chaplin Studios, Los Angeles on January 22, 1917 -- this footage was intended as a promotional film to help raise funds for the "British War Loan Bond Appeal Drive" (in addition, Lauder established the Harry Lauder Million Pound Fund for wounded soldiers and sailors in September 1917). The film was never completed or released at the time.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

The young, hard-working, and extremely attractive Eva Brun works as secretary to Director Jansen. But when her boss becomes a little too fond of Eva's "work," she quits. Tired of men and tired of lecherous male bosses, she devises a cunning plan. She wants to get married and divorced as quickly as possible so she can live off alimony. And Eva chooses shipowner's son Hans P. Larsen as her victim. But Hans has his own agenda. And soon the two begin a cunning game, the outcome of which only Cupid's arrows know.

Documentary about the life and work of Carlos Inzillo, a cultural reference for jazz in Argentina, creator and coordinator of a series of jazz concerts that have been held every Tuesday in the City of Buenos Aires since 1984.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford

The police detective Waldo, of immersed and circumspect disposition and temper, investigates several crimes associated with indigenous rituals that occur in some regions of the Peruvian Andes. There we find a boy and a girl who are about to enter puberty and begin to interact with certain mythical beings, a supernatural belief very common in many Andean villages. A sinister character, pretending to be on a mission of faith, but imbued with religious dogmatism and intolerance, interrupts this peaceful scene as he casts an ominous shadow over these ancient Peruvian beliefs. Although Waldo's boss considers him inferior and distrusts his methods (a form of discrimination), the policeman continues his efforts to capture the "Extirpator of Idolatries.¨ At the same time, Waldo will resolve his own inner conflict which has troubled him all his life.

Featuring speakers of Chinuk Wawa, an Indigenous language from the Pacific Northwest, WAWA begins slowly, patterning various forms of documentary and ethnography. Quickly, the patterns tangle and become confused and commingled, while translating and transmuting ideas of cultural identity, language, and history.

"Strong Boy" is offered a promotion for saving a child from being crushed by a trunk, but to the frustration of his girlfriend Mary, he is not ambitious enough to take a white-collar position. But when he thwarts an attempted train robbery and saves the Queen of Lisonia's jewels, he is viewed as a hero and Mary finally agrees to marry him.

A short film about three siblings with secrets who come back home to stay, Everyone meets up at their mum's house for a family lunch and none of them want her to find out about what their hiding.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

The year 2049 – when technology has been invented that converts human emotions into clean energy. A young man, out of touch with his feelings, experiences a moment that sparks him back into life.

After the Fountain of Youth makes immortality accessible, a vulnerable married couple must choose if it really is "til death do us part."

The narrator, "Barjo" (nutcase, crap artist), is an obsessive simpleton, given to filling his notebook with verbatim dialog, observed trivia, and oddball speculation on human behavior and the end of the world. When his house burns, he moves in with his twin sister, Fanfan -- an impulsive, quixotic egoist -- and her husband, Charles, the Aluminum King. Charles becomes the focus of the film, as his wife and brother-in-law bewilder him.