Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

Tonnemann lives in one of the wooden sheds at the far end of Islands Brygge, close to Copenhagen's landfill site. But in 1928, he wants to leave this environment behind – to go where the air is fresh and life may offer both security and meaning. He is already on his way with his packed suitcase to sign on to a long-distance boat when a lovely girl gets in his way with her little red sports car.

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Akko and her friends are on summer vacation, and what could be more of a summer event than a beach trip? A festival is occurring around the beach, and while everyone is enjoying the festivities, Taisho and his gang head to a supposedly cursed island. Does Akko have anything to do with it?

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

A documentary about the making of Sleepaway Camp

High school student Ayumi kills herself and leaves behind a cryptic message that says "will be killed by boyfriend." Ayumi's classmates Satomi and Yuka investigate her suicide and quickly links her death to a popular cellphone dating simulation game called Keitai Kareshi. The main features of the game include a 'love gauge' that determines how well the player is faring and the ability to chat with other players. Satomi, Yuka download the game to their phones and begin interacting with their new virtual boyfriends. Soon after, Satomi shares the game with her co-worker who -- not long after the love gauge on her cellphone hit zero -- dies from electrocution. Meanwhile, Yuka sends the game to her manager who turns up dead the following day following a mysterious accident. The mystery deepens as Satomi discovers the image of Naoto, a senior student whom Satomi secretly admired, on her friend Hisami's cellphone. Written by Dr. Jay Trotter

8mm work directed by Norihiko Morinaga.