The scares start in Hawaii, where Scooby-Doo and Shaggy are scarfing down the surf-and-turf menu until a giant serpent tries to swallow them faster than you can say She Sees Sea Monsters by the Seashore. In Uncle Scooby and Antarctica, a friendly penguin invites the Mystery, Inc. crew to visit his polar home, which happens to be haunted by an ice ghost! Then, the gang meets music group Smash Mouth while visiting Australia's Great Barrier Reef to watch Shaggy and Scooby compete in a sand castle contest in Reef Grief! Just when they think it's safe to go back in the water... it isn't.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Cameron and Wren have had an open marriage for the last 3 years. They set rules as boundaries to assure a healthy open relationship, however they quickly learn that rules applied to the art of emotion will often be broken.

An aerial performer and her young adult son grapple with her understanding of his transition via letters and physical performance.

A subtle and brilliant sexual awakening of a boy, who is torn between following his wishes or away from them, even though the world that opens before it is too powerful to be ignored in this way.

A loving tribute to a forgotten pioneer of the golden age of television. Starting out as a Runyonesque character actor, Sheldon Leonard went on to produce some of the most beloved and groundbreaking shows of all time, such as The Andy Griffith Show, The Danny Thomas Show, The Dick Van Dyke Show and I Spy. A rare treat, this film is a delightful retrospective of Leonard’s body of work, including priceless clips from his productions— as well as his hilarious appearances on shows such as The Jack Benny Program—and interviews with many of his friends and colleagues, including Mary Tyler Moore, Andy Griffith, Dick Van Dyke, Carl Reiner, Ron Howard and Leonard himself.

Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.

"Everything in me said I had to do it." Martin de Vries decides, without any preparation worth mentioning, to walk the Camino, the famous pilgrims’ way to Santiago de Compostela. From Le Puy-en-Velay in central France to north-west Spain; a journey of 1,600 kilometres, taking almost 70 days. He films himself while walking – his feet, his shadow, the path, the fields and woods – and tries to get to the bottom of why he set out on this adventure.

“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning and ‘nonsense’. All of these strategies are much in evidence in (Land’s) marvelously duplicitous ON THE MARRIAGE BROKER JOKE… [...] so clever and original a filmmaker as to make most others – not to mention his critics – seem flat-footed by comparison. ON THE MARRIAGE BROKER JOKE harks back to Bunuel’s early work. Not only is it structured like a dream and filled with sexual imagery, but like Un Chien Andalou, it smacks of being an insider’s joke played upon the avant-garde. Where Bunuel used the insights of psychoanalysis to satirize Christianity, Land– with an almost equal perversity – reverses the process and uses Christianity to send up Freud.” – J. Hoberman, American Film

Margo is an ex-stripper who meets her long, lost father in Mexico. She looks after him in the waning days of his life, with the help of a traveling projectionist. The father passes away, telling of the loot from a botched bank robbery that he buried years earlier. The two get jobs in town as their relationship grows and they search for the treasure on the weekends. But while the treasure seems to bring them together, it also seems to be tearing them apart.

Tahiti, an island where people dance every night. We rehearse for the Heiva festivities, a dance competition where large troupes compete each July. The film follows a young girl from Raiatea, Calicia Taufa, second prize for best dancer at Heiva i Tahiti 2017, filmed day by day from the first rehearsals to the synod of the Maohi Protestant church in Taravao after the Heiva.

He was at the bay when his world split in half.

An ancient monster awakens from the sea. A ship moves between crystal waters in the darkest night witnessing God and the angels last battle.

After a sleepless night Lara steals her husband's phone to make a call. When she's not met with the reception she expected, things take an even darker turn.

A Year and a Half in the Life of Metallica is a two-part documentary about the process of making the Metallica album (or "The Black Album"), and the following tour. It was produced by Juliana Roberts and directed by Adam Dubin. The second part runs approximately two-and-a-half hours and follows Metallica at the start of their Wherever We May Roam Tour in Europe through to the Guns N' Roses/Metallica Stadium Tour of 1992.

Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.