Night Two of New Japan Pro-Wrestling's 15th annual Tokyo Dome event will feature Shingo Takagi defending his NEVER Openweight Championship against Jeff Cobb, EVIL taking on SANADA, and Jay White taking on the winner of Night One's IWGP Heavyweight & IWGP Intercontinental Double Championship Match.

In celebration of its 25th anniversary as a promotion, All Japan Women's Pro Wrestling (AJW) invited women from JWP, LLPW, and FMW to compete in a night full of inter-promotional battles to the chorus of 16,500 fans inside the Yokohama Arena.

Teens in cabin get murdered by cult

A good nurse ruins her career by covering up for her sister's careless mistake.

Jeffery hasn't been the same since the loss of his wife who died during childbirth. Now crisis returns to his life, as his only child is diagnosed with leukemia, sending him into a tailspin. He turns away from his faith, feeling that life is no longer worth living. As God brings reminders of His goodness into Jeffery's life, will that be enough to guide him back to what matters most?

A long time ago Tom loved Lovely. They were married and everything was perfect, at least for a little while. But that was then and this is now. Lovely has just killed a man in cold blood after he tried to drug and kidnap her in a motel. She calls Tom to help but now they've found a VHS tape that depicts a satanic ritual in which a woman is murdered. Lovely desperately wants to leave and they do, but Tom forgot his engraved lighter in the room, and when they go back to find it, the dead body appears missing.

The trajectory of the five irreverent boys who conquered Brazil with hits like Pelados em Santos and Vira-Vira was the theme of this special.

Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).

Jerry uses a robot mouse to snatch a sample from a lunar cheese mine being mined by robots; Tom gives chase with a robot cat.

A stuffy old civil servant is forced to retire during World War II, but when his son, a Navy submariner, is lost at sea and his city is heavily bombed by English bombers, his old patriotism is re-awakened and he determines to be of use to his country once again

Gallagher weaves together an assemblage of films, creating a narrative through repetition. Documenting her experience caught between Athens and her new home in Northumberland, via a period of ‘uncertain waiting’ in the South East of England. Gallagher explores her sense of dislocation by organising footage from her phone into a visual villanelle, a poetic form with a strict rhyming structure and repeating lines. Footage shifts between presence and absence, movement and stasis. Between the sodium glow of the Athens street lights and the iconic bridges of the Tyne punctuated by sunsets and deluges of rain. Gallagher often draws attention to the overlooked, the ‘hidden in plain view’ aspects of life, questioning what we bear witness to and what we choose to ignore. Within the transitional period between lockdown and the easing of restrictions, Gallagher subtly explores emotional connections to home and place, considering what is outside and what we carry within.

Thomas Ligotti gets operated on by Dr. Oswald Bantham.

BBC farewell concert from The Seekers, in London, England, on July 7, 1968.

A serpent with wings and a human face kidnaps a girl before the wedding.