The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

Lalou works as a shepherd in the mountains with his friend Clara, who came to take care of the herd before her leaving for the army. Next day, Lalou goes to a remote hotel where he secretly meets up with Harmony, an android he madly loves.

Four documentary filmmakers find themselves in Nowhere Else, population 2, in the Australian outback, where the one remaining resident rents them trailers and warns them not to wander around outside at night. After stealing a book on cryptozoology from their host, the filmmakers get an idea of what they're dealing with. But will they heed the warning or risk getting something extraordinary on film?

The film begins with a girl who is supposedly irresistible to all men. Several guys all come to her to pledge their undying love--including Harold Lloyd's brother, Gaylord (who is a dentist). Shortly after this, a new dentist (Snub Pollard) arrives to work in an office across the hall. In a very funny scene, Pollard manages to steal all of Gaylord's patients from his waiting room. However, when it comes to dental work, Snub is highly unlikely to receive the American Dental Association's seal of approval. That's because he's incredibly rough and manages to toss a guy out the window when he pulls his tooth.

Drifting clouds. They are not nice little clouds that invite us to interpret them symbolically; rather they are poisonous and unhealthy clusters, a skin rash of the sky, an impenetrable gray curtain of smog. This is a trailer of impressive tranquility and simplicity. A second look, however, opens up new dimensions: Are there not – as so often the case in Gehr’s work – unsuspected, amorphous forms that manifest themselves? Has an event scurried quickly past us while we were still busy discovering the mysterious in the seemingly obvious? In fact, these are two trailers in one: a palimpsest of the cinematographic pleasure of mystification.

A sporty and chivalrous young man creates, with some comrades, a society whose goal is to protect honest people against rogues. He finds himself thrown into unforeseen adventures, at the end of which he will discover love.

Camille, a young candidate for the legislative election, is parachuted into a constituency in Hauts-de-France.

Veeranna and Malli loves each other. But things changes a lot when Veeranna returns home from military service.

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

Portrait of Billy Childish.

A criminal psychiatrist investigates the murder of a two-time widower.

A suburban town where searchlights illuminate the sky. A seemingly ordinary high school girl, she was forced to live a hard life with her sick mother.

Catch the king of rapid fire wit perform his sell out ‘3:10 TO HUMOUR’ show. Rich Hall’s critically acclaimed grouchy, deadpan style has established him as a master of absurdist irony. Renowned for his expertly crafted tirades, quick fire banter with audiences, and delightful musical sequences, Rich Hall’s plain-spoken growling indignation and acerbic observations have an unerring talent for hitting his targets with precision every time, leaving his audience hanging on every word and winning him fans all over the globe. Recorded in London’s West End at the Vaudeville Theatre, ‘3:10 TO HUMOUR’ is Perrier Award winner Rich Hall at his best.