Monochromatic people (known as 'Monos) live in a world where they are unable to see colour and therefore view their surroundings through varying shades of grey, black and white. However, every Mono has a fated person (known as a 'Probe') who is able to trigger their grey-scale world into colour, inducing what is termed a 'Colour Rush'. Yeon Woo is a Mono. He’s aware that other colours do exist but has never experienced them for himself, nor is he interested in doing so. However, Yeon Woo’s life is forever changed when he meets Yoo Han, his Probe, and experiences his first Colour Rush. Terrified that he'll be obsessed with Yoo Han because of Yoo Han's ability to make him see colour, Yeon Woo tries desperately to avoid Yoo Han—but why does Yoo Han insist on drawing close to him?

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.

Two souls lost in a world of modernisation find each other in a moment's need for clarity and appreciation.

A young photographer's home is haunted by it's former residents.

Four people are living their normal lives when they are mysteriously transported to a strange basement. When they try to find a way out, things take a turn.

When Hannah Fairchild meets her new neighbor, Danny Anderson, she thinks he's a bit weird...could he be a ghost?

A former associate of Perry Mason returns to handle the defense of a world-class chess player accused of murdering a prominent TV personality.

Mexican feature film

A couple of men and women who look happy. However, each of them was living another life that the other did not know. Their words, which at times seem to betray their own feelings, crystallize into a dry ending.

This story loaded with messages and lessons for Muslims today. Tok Adi, who is used to managing the remains of the villagers, is now shocked by a strange incident that happened in his village. Where, many corpses are lying in one area of ​​the village, all the corpses are in a very horrible condition. What does Tok Adi need to do? What will happen after that?

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

This classic opens with a sensational low-angle circular track movement as Chandika cult followers meet in a dungeon of flickering lights and deep shadow. As the more rationalist King Krantivarma (Varde) banned human or animal sacrifices from the increasingly fanatical festivals dedicated to the goddess, the cult's high priest (Chandramohan/Date) orders the hapless Vishwagupta (Kelkar) to kill the king.