A brilliant but sadistic safe-breaker; a beautiful seductress; an expert young hunter and an ace pilot with a shady past - this is the team that undercover operator Armo Shalik assembles to steal the priceless Borgia ring from millionaire Max Kahlenberg's closely guarded fortress in the remote and deadly African bush. But when Kahlenberg finds out they are coming, the gang's expedition turns into a strictly one-way safari - to slaughter.

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.

This story of the Black Hills consistently tells of the unrequited love of a Sioux brave for his chief's daughter, and how he premonished the awful results of her ominous marriage with a white cowboy. Clear Eyes, the daughter of Chief Thunder Cloud, is beloved by Comata, a Sioux brave, but having met and listened to the persuasion of Bud Watkins, a cowboy, leaves her mountain home to become his squaw. Poor little confiding Clear Eyes lives only for Bud, and he at first seems devoted to her, but at the end of two years, a little papoose arriving meanwhile to bless their union, he tires of her, and courts Miss Nellie Howe, a white girl, who thinks him single. Comata, however, has unremittingly watched his movements, and vows to avenge his lost one. Following him to the white girl's home, he sees enough to convince him of the whelp's villainy, so he goes and reveals the truth to Clear Eyes.

Sierra Young is a rising ingénue, making $10 million per picture. She's also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she's run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie's grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler's production of "Taming of the Shrew." Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?

Story about a farmer.

One of two sisters goes out of her way to make life miserable for everyone in her family; the other one just wants to be happy. Everything is resolved after a nasty scene at Papa's funeral.

1941 was Francis Lee's first film; CH'AN his last. In between, he became an expert Sumi-e watercolorist and here he combines eloquent ink paintings with masterful animation methods. This film moves through mysterious shapes, takes the viewer on an explosive meditative journey across the imaginary landscapes of his creations.

Italian slapstick actor Robinet riding a bicycle.

Ali, an Algerian crane operator, takes with philosophy the bullying suffered by immigrants like him. His existence changes radically the day he wins the lottery.

On Christmas Day, Georgia experiences the true ups and downs of the holiday season. Through empathy and active listening, she does her best to understand the situations surrounding her to help make the season brighter.

A young woman finds herself as the intended victim of a murder plot on a transatlantic flight from London to New York.

The guilt, fear and uncertainty. Voices in the head that haunt the pain of discovery!

A cinema-verite approach to this mystery story about the death of a young girl in a village adds credence to the story itself, it is as though the audience were following along with a real investigation instead of simply watching a narrative unfold. An inspector and his police team arrive to find out why the young girl drowned -- under suspicious circumstances -- and start to work interviewing the villagers. Shown in close-up and individually on the screen, each witness contributes to a growing knowledge that the girl was sexually assaulted and beaten before she died, and the real mystery is why no one reacted to the horror. As the interviews continue, the inspector realizes it will not be easy to extract the whole truth from any of the guarded, close-mouthed villagers.

Three nameless men. One mysterious manuscript. A journey into madness.