The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

A video recently posted by two teens shows something popping out of a closed toilet at an abandoned school.

From dawn to night, Montreal is a living reality, with many faces, many occupations, and the uncertain and blurred colors of industrial cities. The film illustrates different aspects of this reality: the cosmopolitan Montreal, the anthropological Montreal and the plastic Montreal. Images: Electric wires; poles; view of houses and cars; airplane; bridge; men working on construction; mechanical crane pulley; mechanical crane in the street; men walking on constructions (scaffolding); skyscraper; park; lovers lying in the grass; canoe; children in a park; children on a boat; sailboats; bathers; factory chimney; quarry; CN locomotive; public market; traffic of cars and pedestrians; lights shining in the evening; fireworks

Catch the king of rapid fire wit perform his sell out ‘3:10 TO HUMOUR’ show. Rich Hall’s critically acclaimed grouchy, deadpan style has established him as a master of absurdist irony. Renowned for his expertly crafted tirades, quick fire banter with audiences, and delightful musical sequences, Rich Hall’s plain-spoken growling indignation and acerbic observations have an unerring talent for hitting his targets with precision every time, leaving his audience hanging on every word and winning him fans all over the globe. Recorded in London’s West End at the Vaudeville Theatre, ‘3:10 TO HUMOUR’ is Perrier Award winner Rich Hall at his best.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

The second feature length movie of Paulino Viota, this is a disillusioned and biting look at the years of Spanish democratic transition, narrated in a dry and scrawny style that shows the political intrigues, struggles and frustrated hopes of the first years of Spanish transition to democracy.

While filming a documentary series about Appalachian folklore and mythology, a crew of amateur filmmakers uncover the legend of a mysterious box hidden away deep in a wilderness area known as "Jeffrey's Hell" in the Appalachian mountains of East Tennessee. As the mystery unfolds they soon discover that some secrets are best locked away and forgotten. Based on actual events.

A young girl is being asked about a man with whom she was keeping company, as her grandmother plays a lament on a shamisen. Then the focus changes to a couple arriving from Tokyo - the woman returning to her home, the man an escapee from the yakuza. The man doesn't seem to mind when the woman sells her favours to tourists at the local bar, just as she seems to take his attentions to Yuki, a blind girl, with equanimity.

During a whole month in late 2005, France made the news headlines the world over: rioting in the French suburbs! Young people from the suburbs all over France – often still in college or high school - came together each night to burn dustbins, cars, even schools. The riot prompted the decree of a state of emergency – something that has not been seen in France since the years of the war of independence in Algeria. In an effort towards appeasement, the government made promises to come to the aid of “abandoned” areas. Today, one year later, what has changed for the people in the suburbs? Have they managed to pick up the pieces? Have official bodies managed to transform promises into real measures on the field? Alice Diop - who grew up in neighboring Aulnay – took the temperature of the area in and around Clichy, the place where the riots broke out following the deaths of two of the town’s youngsters who perished in an electrical transformer station while fleeing from the police.

An unflinching look at daily life in Haiti during and after the rule of Papa Doc Duvalier and his son Baby Doc, this unconventional documentary blends interviews with fiction scenes to expose the country's history of corruption, violence and voodoo. Through the use of historical footage, disturbing images and an interview with Papa Doc himself, the film offers a rare glimpse into the heart of a nation frequently overlooked by rest of the world.

Directed by Zeki Ökten.

A ruthless killer (Gary Hudson), hell bent for revenge, escapes prison and vows to kill the Texas Ranger (Sam Jones) who sent him there. With the aid of his two brothers, he set off on an explosive journey to make his tormentor pay the ultimate price, a slow tortuous death.

Drifting clouds. They are not nice little clouds that invite us to interpret them symbolically; rather they are poisonous and unhealthy clusters, a skin rash of the sky, an impenetrable gray curtain of smog. This is a trailer of impressive tranquility and simplicity. A second look, however, opens up new dimensions: Are there not – as so often the case in Gehr’s work – unsuspected, amorphous forms that manifest themselves? Has an event scurried quickly past us while we were still busy discovering the mysterious in the seemingly obvious? In fact, these are two trailers in one: a palimpsest of the cinematographic pleasure of mystification.