As Islamic morality squads stage arbitrary raids in Tehran and as fundamentalists seize hold of the universities, Azar Nafisi, an inspired teacher, secretly gathers six of her most committed female students to read forbidden western classics. Unaccustomed to being asked to speak their minds, they soon removed their veils, their stories intertwining with the novels they read: just like the heroines of Nabokov, F. Scott Fitzgerald, Henry James or Jane Austen, the women in Nafisi’s living room dare to dream, hope and love as we experience the complexity of the lives of individuals facing political, moral and personal siege.

A man who is socially inept and out of touch with the world lives with his sister in a small farmhouse. The overly sensitive man lives off his hard-working sibling, taking odd jobs as he gets them to secure his meager earnings. When he brings home a woodcutter from the forest, the sister and the newcomer fall in love. Terrified over a life without his sister, the man can't cope.

The story of an extremely generous and righteous man, Ravi Varma, who succumbs to his intention of being generous no matter what happens. The movie is based on a story, Kasturi Nivasam written by G. Balasubramanium. The film stresses the principle that "life is to give—not to take". The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character's purity and those morals he has cherished. Ravi Varma led a lonely yet righteous life. He did not break his principles even as it lead to his downfall.

Nina (38) loves her little family and is passionate about her job as an architect. When she returns to work after parental leave, she is able to save the office from bankruptcy with an ingenious idea. The only catch: she has to pretend to be single and married to her work. Nina gets no help from her husband Torsten (38) because he sees her dream job as a threat to the family. In desperation, Nina pretends he is her brother and secretly hires granny-for-hire Irmgard (70). Between lies and success, Nina's life picks up so much speed that she soon can no longer find the emergency brake.

Feeling down after a break-up, Jonathan convinces his friends to play his homemade board game.

Mr. Kapa and his assistant meet Iara, a mythical being, in a river with purple waters. Geléia, the assistant, fills a bottle with this magic water and makes three puppets turn alive.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

A short film about three siblings with secrets who come back home to stay, Everyone meets up at their mum's house for a family lunch and none of them want her to find out about what their hiding.

A young lonely lion crosses an arid and desert Savannah. He discovers that the only source of water is kept by a tyrannical buffalo.

A story based on a real event, the tragic case of a family from an isolated village, in the Danube grinds. Ana, who lives abroad, returns to her native village in the Danube Delta, in order to take part in her grandfather Dumitru's funeral. Everything takes a sudden turn when Ana discovers the tragic events that her grandparents had gone through, caused by the traditions and mentalities of an archaic world.

After many years away, development aid worker Peter Kessel returns to his home town of Gutenbach in 1982. He is astonished to discover that a lot has changed there. Cashless payments are used everywhere and facilities such as screen journals and video telephones have become a matter of course. Kessel tries to adapt to the changed circumstances and encounters difficulties in the process.

Here you are SCUM, caged creature. Your gaze wavers inside the rage of our age/era. Your scream testifies to an individual and societal wound, a traumatic memory of our condition to overthrow. Your gesture, survival drive, questions our visceral link to violence. SCUM, in your silicone hands young germs are growing—they are in mutation.

Stylized as silent cinema, the film connects political and philosophical extremes of 1913 in a story of a young man participating at the creation of a new world. This mysterious adventurer, who was known as Peter the Lett, gets involved in a tragicomic and surreal race from a routine clerk job and a romantic passion in Riga to preparation of the world revolution in Vienna, psychoanalysis at Freud’s salon and seduction of Mata Hari in Paris.