After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

While hitchhiking from Sofia to Ruse, Kamen meets Avé, a 17-year-old runaway girl. With each ride they hitch, Avé invents new identities for them, and her compulsive lies get Kamen deeper and deeper into trouble. Reluctantly drawn into this adventure, Kamen begins to fall in love with the fleeting Avé.

I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.

Set in the most easterly town in England, Lowestoft, a young Projectionist (Andrew Hooper) must overcome grief and barriers created from his Mother's untimely death, and become the filmmaker she wanted to him to be.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Joe McDoakes attempts to deal with his myriad neuroses.

CHOPPING BLOCK follows a group of corporate guys who get laid off. Desperate times call for desperate measures. They decide to kidnap their ex-boss's daughter for ransom. Things take a bloody turn, when the boss's daughter just happens to be the only survivor of a masked psychopath. A masked psychopath still out for blood. Hilarity & bloodshed ensue...

A declaration of love a few seconds before the end of the world. And then the miracle: the end of the world is not coming .

In a quarantine period, the false stability of a couple will break down when a child knocks on their door asking for help.

Joseph Kuo's final film.

Two completely different people get in a coma at the same time. One of them is really rich and cunning, the other lives in a village where works as a vet and is a very kind man. When by an accident the two of them get into a coma they appear in the middle of Heaven and The Earth. The dark and the white sides meet them and give them a request. If they get it done they live, if not, they die. But there are certain rules that the two of them need to follow which makes the request harder to accomplish. Their adventure towards the right to live is followed by funny accidents and stories.

Hand-drawn animation with ink, white-out and crayon.

The film tells the story of Kadesurang (Bella Ranee), a young girl who is a good student in French studying the Department of Archeology. She is very smart but her appearance is not beautiful and stout. At that time, Kadesurang was secretly in love with a guy in the same class but did not dare to confess because he was afraid of his ugly body. One day, when she was going home, she had an accident, her body died but the girl's soul was still wandering in the world then accidentally passing through time and space back into the past into the body. The body of a cruel and brutal lady named Karakade

Farhad, a respected math teacher, is engaged to the mother of one of his pupils. But rather than embrace his new father figure, the angry young student spends his days riding around Tehran on a motorcycle with his rebellious friend, refusing to study—or even sit—for his big final exam.

Villagers pooled up money and drive a sick widow to Yangzhou on a tractor to see a doctor.

Jean Gourguet's 1928 49-minute silent feels like a French precursor to Siodmak's 1930 "Menschen am Sonntag". It shows us how Parisians of the 1920s spent their Sundays, by following the progress of four young people on their day off - a girl, her beau, and his two rivals. The film is at turns comic, wistful and romantic.