Ozu & Noda
A new documentary by Daniel Raim on Yasujiro Ozu's relationship with longtime screenwriter Kogo Noda.
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Something's Gonna Live
The Los Angeles Times Critics' Pick Something’s Gonna Live is an intimate portrait of life, death, friendship and the movies, as recalled by some of Hollywood's greatest cinema artists. Academy Award®-nominated director Daniel Raim (The Man on Lincoln’s Nose), captures the late life coming together of renowned art directors Robert Boyle (North by Northwest, The Birds), Henry Bumstead (To Kill a Mockingbird, The Sting) and Albert Nozaki (The War of the Worlds, The Ten Commandments), storyboard illustrator Harold Michelson (The Graduate, Star Trek: The Motion Picture), and master cinematographers Haskell Wexler (Who’s Afraid of Virginia Woolf?, Medium Cool) and Conrad Hall (In Cold Blood, Butch Cassidy and the Sundance Kid). These prolific artists have worked on a total of 400 films, garnering 25 Academy Award® nominations and 8 wins.
Kallan D'Souza
Kallan D'Souza and his partner make a living committing petty thefts and are highly successful at it. However, a stubborn police officer threatens their operation.
Deported Women of the SS Special Section
Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.
Rate Me
A portrait of teen escort, 'Coco'.
Watch Green Run
Months after "Green" discovers a religious figure called "Blue" his religious beliefs are challenged
Glove Taps
Butch challenges Alfalfa to a fight.
The Sklar Brothers: What Are We Talking About?
Randy and Jason Sklar standup special recorded in Madison, Wisconsin.
Buffalo Stockyards
From Edison films catalog: A long line of horses, mules and ponies are led, driven and ridden into the yards, where they are sold and distributed.
Mana Huncha Khina Sawule Chuti Dinna Aama
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
All My Tomorrows
A Centron Film presentation, produced by Gordon-Kerchoff, this color film is about a teenage girl who overdoses on alcohol and pills, and winds up in a coma, opens with the girl recovering in a hospital bed. This scare film from 1979 is essentially a public service announcement on the dangers of getting involved in drugs and the horrible effects that using drugs and overdosing can have on an individual and their loved ones.
Death to Prom
Two best friends make the best of going to high school by dreaming up fashion magazine photo shoots, and bribing their siblings to model for them. René indulges all his fantasies and loves designing clothes. Frankie lives for her camera and punk rock. They both fall for Sasha, the shy soccer player with a soft spot for poems by Pushkin. When the three of them are caught between competing invitations to prom, their high-fashion drama could destroy their friendships along with the entire prom.
La laguna negra
In a village in the mountains of Urbión, brothers John and Martin, driven by greed and abetted by Candelas, Martin's wife, kill his father and sink the body in the Black Lagoon. His wife and one daughter of the victim does not know anything. In the village would get missing. However, from now weigh a curse on the land for which they have committed the crime, predicting each year misfortunes and bad harvests.
Bliss
Sassi is more than 20 years older than his wife Effi and is worried about his declining powers. Surgery has left him seeking treatment for impotence, but Effi insists she’s content with their emotional closeness. In her work as a physical therapist, though, Effi sees the link between body and heart every day. The biggest challenge to their loving relationship has been the gambling debts Sassi’s adult son keeps running up. But the couple’s fragile understanding, compounded by the presence of two young men, introduces new threats. Their teenage grandson, Omri, returns from living with his father in Europe, at loose ends and clearly in need of guidance. For one thing, he can barely stand to wear a shirt. Then a young patient turns up at the swimming pool where Effi conducts therapy sessions. He comes to confront her about something from their past, something complicated, contested, and painful to them both.
Tora-san's Runaway
After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.
Possuídas pelo Pecado
Dr. Leme, a rich old man, is frustrated about not having children with his wife Raquel. In his mansion, he gives parties filled with drinking and sex with his secretaries. André, his driver, becomes lover of Rachel and they plan to kill Leme to get hold of his fortune.
Red
Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.
Grade
The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.