Mitchell & Kenyon.

Fadma is an active Moroccan woman, a mother who, after the death of her husband, raised her two children alone: Ahmed is her pride and joy, having succeeded in France, and Karim is the eccentric artist who still lives with her. Sensing danger around her son Ahmed, she decides to visit him in France. And it's here that she discovers the problem of her granddaughter Julie-Aïcha, a teenager in search of her identity. Fadma and Julie-Aïcha discover a new shared passion.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

A woman and her child are kidnapped by her lover and plans revenge on him.

Frimley Park Hospital is a heartfelt story about family, resilience, and the importance of prioritizing health without delay. The film follows Rani and her brother Tom, who share a close bond. After returning to the UK from a Nepal holiday, Rani notices something deeply concerning about Tom: his skin and eyes have a yellowish tint, and he looks frail and exhausted. He's lost a staggering 15 kilograms in just a month and seems weaker by the day. Rani, alarmed and worried, insists on taking him to the Aldershot Health Centre to see a GP. The GP, recognizing the urgency of Tom's condition, immediately refers him to Frimley Park Hospital for further testing and treatment. Tom is admitted to the hospital for three weeks, where doctors diagnose him with a range of serious health conditions: jaundice, autoimmune hepatitis, gallstones, and an ulcer. The medical team informs Tom and Rani that his health is in a critical state, and his future is uncertain.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Two friends fighting dirty

A story of family, community, music and tradition set against the backdrop of Branson, Missouri, the remote Ozark Mountain town that is one of the biggest tourist destinations in America.

Two con artists seduce and rob lonely women. But things go terribly wrong when they accidentally kill one of their victims and try to bury her body in the woods.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

Sandy returns to the country to see her family and David, her fiancé. Later on, she meets Tommy, David's friend, who has a rocky relationship with his girlfriend. However, this meeting turned into an unexpected romance.

Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.

Street vendors in Korea are almost like a national institution, they are so widespread and relied upon. In Little Pond in Main Street a group of vendors band together to create a community radio station but come into conflict with other groups, as well as the government trying to shut them down.

Joseph Kuo's final film.