Jihan opposes the prevalent injustice and corruption that surrounds her. When she meets the pilot Samy, she is turned off by his self-centered view and careless attitude. But when love blossoms between them, Samy tries to get involved in her world and interests.

Youssef, a student at the Faculty of Fine Arts, responds to the call of talent and love of drawing against his family's wishes.

A peculiar relationship ensues between two opposites: Said, who leads a miserable life close to that of the homeless, and Sherine who lives alone and does nothing but watch and reflect.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

Ashley was dying to make a horror movie. Too bad she didn't live long enough to see it. The horror movie was never finished, but now you can witness the horrifying killing spree that was captured on the behind-the-scenes footage.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

In this satire, a group of modern-day Americans are captured by a WW2-era Uboat, with a sinister cargo, bound for NYC.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

Based on the comic by Mako Takami.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

A young woman living on a Caribbean island is searching for her father who is lost at sea. When her estranged family come to help, she must confront their dark past and this new family she never expected to embrace.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

A behind-the-scenes look at the true-crime story involving Joe Exotic's murder-for-hire plot.

Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.