The plot concerns a comet hurling toward Earth on a collision course and the different reactions to people on the impending disaster.

Proud mom Katherine has just found out that her daughter Michelle has earned a spot on the academic decathlon team. But, when a student winds up in the hospital, she starts to wonder if there's more going on with the team than she knows.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

She seems to be a happy woman with lots of happy young men in fabulous outfits by the seashore.

Two convicts just released from prison find a green bauble filled with diamonds — and try to prove they didn't steal it.

Two Air force pilots are best friends in that competitive, always picking fights with each other way.

Tommy dos Santos wasn't born a psychopath, nor was he made into a sociopath. He was something entirely new, and he was walking his own path - a path that will run red with the blood of the foulest most fiendishly frightening creatures ever conceived by man! No longer do they have the starring role in our nightmares, it is now the clowns who are the prey, running for their lives from a killer who won't stop until every single one of them is dead. As Tommy's body count rises, he finds himself getting closer and closer to what he thought was a ghost, the once great clown king known as "Giggles," and wonders - if laughter can't die, how about Giggles?

A millionaire's son works as a milkman for a month to win a bet with his father. While delivering milk he falls in love with a young debutante whom he mistakes for a maid.

A young offender on the mend, 19-year-old Cole Hurley agrees to attend a university devoted to prisoner reform. But hope for a turnaround is endangered by his impulsive affair with the seductive Kay Weller, a professor desperate to escape her abusive husband - and Cole is her only way out. But when Kay's husband is found murdered, Cole's education comes with a new lesson: trust no one.

Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.

In this sweeping love story, Peter and Jinbesan's marriage crashes and burns amidst shocking revelations disclosed during their marriage counseling.

Leather-Queen George will be there, bragging about his rubber bed sheets. So will The Lavender Guru, a loquacious flower child incessantly babbling hippie-speak. Bobby, who's "new to this whole thing", will be having a panic attack and Bike-Boy Fernando will be showing off his new Prince Albert. Yet despite Peter and Buddy's relationship disintegrating right before our eyes, the party will be a smashing success - especially their inevitable end-of-the-romance tussle on the floor. Described by many as a low-budget version of "The Boys In The Band".

A guy takes surreal measures to conceal his true emotions.

With exclusive interviews and outtakes, this anniversary special celebrates a decade of Robert Popper's iconic comedy, from celebrity fans to Paul Ritter's infamous squirrel-based catchphrase

A tiny witch tries to milk an immense cow. Things get out of her control.