From his cozy library inside the walls of a suburban home, an intellectual snail tells of his life’s love, loss and change.

Gianni Morandi tells the story behind the scenes of the Ariston Theater, revealing the great work and the most secret and unpublished emotions of the Sanremo Festival.

Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.

In Miami, three lifelong friends, months away from high school graduation indulge in reckless behavior that finds them on the brink of either their graduation or their mortality. Their hopes hang in the balance-- one with academics, one with sports, and one with drugs.

This is a film about how war settles in the bodies of the people who are forced to experience it directly. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.

Bordeaux. Anne has no friends, no children, no lovers; she is alone and seems disconnected from the world. She pretends to live, going through life and her encounters like a disembodied being, without passion. Something drives her to seek human contact, and something also holds her back. Recently, she has been hearing strange noises in the walls of her apartment. A bird appears...

Qiang is a postman, secretly in love with his housemate Xia. One day, while working, Qiang comes across a theater company working on a play that will turn his life upside down: the story of a young girl saved from suicide by a postman.

Renée Fleming is Countess Madeleine, the beautiful, enigmatic woman at the center of Strauss’s sophisticated “Conversation Piece for Music.” She is being courted by two men: Joseph Kaiser sings the composer, Flamand, and Russell Braun is Olivier, the poet. The stellar cast also includes Peter Rose as the theater director La Roche, Sarah Connolly as the actress Clairon, and Morten Frank Larsen as the Countess’s brother. John Cox’s elegant production places the action in the 1920s. Andrew Davis conducts.

It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.

Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.

Darby is a blind girl and Joan is her elder sister. The story revolves around Joan's passion for Yorke - an idle scamp - and her marriage to his uncle, the family benefactor.

Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.

American architect Cesar Pelli and his team use innovative technology to overcome obstacles and build the Petronas Towers in Kuala Lumpur, Malaysia.

The lives of 3 singers during their last few months working at a venue called "The Moon's Balcony"

When a devastating lacrosse hit turns Solomon White's world upside down, he's challenged to find a new perspective on life in more ways than one. Inspiration arrives in the form of Wren, a blind girl with a strong faith in God who captures his heart.

Opera's most popular double bill, fondly known as Cav and Pag, conducted by Herbert von Karajan. In 'Cavalleria rusticana', Turiddu returns from military service to find that his fiancée Lola had married the carter Alfio while he was away. In revenge, Turiddu seduces Santuzza, a young woman in the village. In 'Pagliacci', the drama unfolds as Canio (Pagliaccio) struggles with rage, despair, and desire on learning of his wife Nedda's intended infidelity with Silvio. Canio's tragic conflict increasingly mirrors the comedy of Pagliaccio.