When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

An aquatic journey

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

A vigilante who is released from prison for a crime he did not commit sets out for one last blood-thirsty fight to seek redemption and vengeance.

A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.

A divorcee decides to fight back after her hopes of gaining a promotion are dashed by her rejection of the advances of her boss, and it is only after he actually attacks her that her company and her union take notice.

A lonely and embittered cab driver starts his own investigation in order to break the secret of a passenger he fell in love with.

A 1940 film directed by Roberto E. Guzmán.

Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.