The action of the film is direct: Holt walks through the tall grasses of a swamp while filming with her Bolex camera, guided only by what she can see through the camera lens and by Smithson's verbal instructions. The viewer experiences the walk from Holt's point of view, seeing through her camera lens and hearing Smithson's spoken directions. Vision is obstructed and perception distorted as they stumble through the swamp grasses.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

A documentary about F.W. Murnau.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

Max Andreev thought the best place to start a new life would be at the other end of the world. What he didn't know, is that you can't outrun your past.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

While scuba diving, Jill's boyfriend Dustin finds a doubloon necklace and the diary of Morganna, a pirate who sailed the coast 200 years ago. With the diary is a treasure map that takes them and their friends Susan and Joe to a mountain cabin. Before setting out in search of the treasure, the four hold a séance using instructions they find in the diary. It brings Morganna and her mate, Captain Tygus, back to life. It's a race for the treasure. Morganna and Tygus will stop at nothing. What about the necklace?

Amy's dreams of a happy life with her partner, John and their new unborn baby. Her dreams become a nightmare of death and decay when a visitor from another world comes to Earth seeking an unusual food source: fetuses fused with it's own alien DNA.

Al-Shaima, the sister of the Prophet Muhammad in infancy, except in Bani Saad between her mother, Halima al-Sa’dia and her father, a family that acknowledges to the Prophet the goodness and blessing that has befallen their homes since he came as a baby, except for the stubborn Shaimaa who hates Muhammad hatred and buried hatred, the news of the Islamic call spreads, and Begad is allied with the enemies of Muhammad While Shaima Shadia Bani Saad, she is disappointed with the magic of her voice, Pijad and praises her tribe with the service of fighting Islam, migrating to Medina, and her husband is allied with the Jews from Bani Qurayza and Bani Nadir,

In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.

An old Finnish athlete travels alone through eastern Europe with his van.

Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

While he was about to end his life, Baron de Cantenac wanted to return one last time to the land of his ancestors. He then discovers a treasure that he will strive to use to revive his village.

London in this movie Sivaraman is an innocent rustic youth who lands up in the big, bad London in search of a job. He comes in contact with a small-time thief Kathir. The duo eventually ends up as part of a robbery attempt made by two others. But as the bid is nixed, Sivaraman, who is now much more confident in life, decides to pose as the grandson of a rich but blind couple.Now under the name Saravanan, he enters the household along with his friend Kathir.Then the mirth-riot starts

Iwan Rabcynski, born in St. Petersburg (Florida), writes Russian melodramas under the pseudonym "John F. Romanoff. He gets his inspiration in Brooklyn, his chosen home. His new novel, which is meant to be autobiographical, begins with his Russian great grandfather in St. Petersburg in 1882 and follows three generations as they survive the country's political upheavals.

This poignant human drama is phrased as a "small sonata" in three movements -- a novel approach by director and writer Micheline Lactôt to tell the story of two teenage girls. In the first movement, Chantal (Pascale Bussieres) rides the same bus every day and slowly develops an infatuation with the bus driver. Their interactions are expressed through gestures and glances and facial expressions, but not words. Just as Chantal is getting old enough, and maybe courageous enough to actually say something to the driver, fate steps in and she loses her chance. In the second movement, Louisette (Marcia Pilote) hides out on a fishing boat and is discovered by a Bulgarian fisherman who treats her with kindness and consideration and they spend a special evening together -- without being able to speak a word in the other's language. In the third movement, Chantal and Louisette become friends, and as kindred spirits they share a sense of loss and hopelessness.