The touching story of a pre-teen who rejoins his nomadic family after the death of the uncle who adopted and raised him. At first he is sad and frightened, but he gradually grows closer to his father in the run up to a horse race.

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

A swashbuckling Irishman opposes French agents during the Napoleonic wars.

Ruth, 17 years old and in love, needs money to make her post-graduation get away with Julie. Carol, 14 and in love with math, needs money to get into the school of her dreams. Unfortunately, they both have the same problem—neither girl has any cash. When Carol discovers their mother’s secret cash stash, both girls are set on a trajectory of stealing and leaving the other behind. Only one girl can go, and only one person can stop them—their mother.

written and directed by JOSEPH CAHILL

With much of Mogwai’s recent output having fallen uncharacteristically flat, one could be forgiven for thinking that this release, a live album and DVD set, signals the once-great band finally running out of ideas. Yet while Special Moves/Burning offers nothing in the way of new material, it serves as a timely reminder of Mogwai’s immense talent and eternal ability to inspire.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

An attractive Countess arrives in a village in the Veneto, which revolutionized the entire population. In fact, she has a very precise plan: to conquer an old rancher who has inherited a village after the death of his mother and keep all their assets using its many charms.

Maiko is a recently widowed young woman travelling to Bali to distract herself from the loss of her husband, Esau. At the airport she meets Kioko, who gives her a dagger and a photo of a woman. She tells Maiko she must find the woman, Shireni, in Bali and convince her to return to Japan, or she must use the dagger to kill her. Soon after her arrival in Bali she meets Shireni and is invited to stay with her. Quickly Maiko finds herself trapped on Shirini's island paradise, by her own confusion and her developing love for Shireni. She discovers Shireni to be immortal, a former spirit medium whose only goal is to find pleasure, body and soul.

HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.

An over-the-hill rodeo champion gets fired from his assembly line job in Texas. He and a buddy then decide to head to Wyoming to get a job herding mustangs. His wife gives him her his blessing, knowing he needs to find something which satisfies his spirit. They sign up for a roundup headed by a veteran cowboy. With the job, he finds himself cross-wise of a corrupt government official, who is making big profits on the illegal sale of wild horses.

An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.