Gopalakrishnan is the son of Gopalan Nair, who rears cows and sells milk for a living. Gopalan Nair, now in his sixties, finds it hard to continue with his job and calls for the assistance of Remanan, the president of milkmen association and the only friend of his son Gopalakrishnan. Even though Gopalakrishnan could not pursue his studies after his sixth standard, he is not ready for any hard work and is only interested in making money the easy way.

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.

Yuri Ebara is inexplicably laid off, abandoned by her closest friend, and is suddenly asked to move out of her apartment. As she nears rock bottom, she begins to suspect someone is out to drive her insane, or worse.

A couple takes charge of mounting the film of love and war of a filmmaker friend faded away.

In a dystopian future, Joana tries to take care of her son, who contracted MYNOSY, the Mysterious Noise Syndrome.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

When a famous American film director, Rudolph Grichenberg, comes to Paris to cast a Yiddish version of 'The Merchant of Venice,' Maurice Kurtz and his friends try out for the role of Shylock. Thinking he has finally been cast in an important film role after years of obscurity, Maurice rushes home to tell his beloved wife, Perla. Later, Maurice discovers the part has gone to a famous American star, but he must play the role of his life to be sure Perla, who has become very ill with cancer, doesn't find out.

Lin Jin, a solider of the New Fourth Army, stayed in Liubao village with his Army. During Lin Jin's stay, he fell in love with a local girl, Ermeizi. However, he had to leave Liubao with his troops for several years. Lin Jin and Ermeizi lost contact during the war after Lin Jin had left Liubao. Years later, Jin returns to Liubao where he finds Ermeizi again.

Haunted by their own directionless lives, two pre-adolescent girls reunite while visiting their ailing grandmother. In the midst of her fantasies of a medieval past - one consumed by fear and desire - the two girls are transformed and confront a legacy of oppression, juxtaposing their budding identities to a trial condemning two Moorish homosexuals to burn at the stake.

The diagrammatic space first entered in Diagram Film becomes the stage for temporal, rhythmic, informational and spatial play with a single diagram (a 144-drawing cycle) that refers to the film and animation process, animation history, specific filmmakers and other encoded data. The arrangement of the drawings for each of the five sequences was improvised on the animation during the act of shooting, creating five variations and possible readings of the animated composition.

The rise and downfall of a family over the course of 20 years, in one living room, in a single shot.

In a post-apocalyptic world, the treasure hunter Riot and his pretty sidekicks are searching for Eyes of Zalem, which they hope will guide them to Rido, the treasure of a long-lost Quall civilization. A limitless energy source, the Rido has the power to even restore life; but unfortunately for Riot, the evil Demsters are after it too. If he is to bring his sister back to life, Riot must pit his skill and cunning against the ruthless enemy army in a race for the lost treasure. Source: Anime-Planet

Hoist anchor, maties! And set a course for the grandest pirate yarn ever to shiver your timbers in this thrillingly animated, song- and –laughter filled version of Robert Louis Stevenson’s swashbuckling adventure classic!

Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.

The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.

An angry Latinx dyke in her twenties wants to make the world a better place, but can barely keep her own life together. Fernanda and her friends deconstruct their lives, fuck them up, and then continue to deconstruct them.

what you end up losing, can end up consuming you