A former member of a band of criminals known as the 'Eight-Hundred Dragons' is living in fear in Manchuria as the clan does not allow people to leave alive. However, he is eventually tracked down, and kidnapped along with a young Manchurian, Yao - whose memory is erased so that he can be trained in martial arts. Yao's work as an assassin becomes more complicated, however, when he sees his old lover again and his real memories come flooding back.

It will take a lot of strength to slay a three-headed dragon, perhaps more than A-ko, B-ko and Maruten can muster. As these intrepid souls invade a space station ruled by their nemesis, they encounter star pirates, hidden explosives, seductive spirits, and female warriors with no discernible loyalties. And, of course, that fire-breathing beast with football field-size wings and a trio of mouths -- each brandishing saber-length teeth!

It revolves around A-Ko and B-ko's pursuit of a handsome stud named Kay. He likes coke and motorcycles and is quietly courted by both A-ko and B-ko. Meanwhile, C-ko grows very jealous of him... Also meanwhile, the aliens' ship in now floating in the bay and they've tried again to turn it into the ultimate nightspot. Good luck. Catastrophe always occurs when the three 'Ko's get together

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

Making of documentary surrounding the production of ‘Anora’

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Rocklin Colorado, 1925. A hard cold winter. Young Arturo Bandini loves his father Svevo, his mother Maria and his brothers. Even though his bricklayer father wastes the little money he has in the Imperial Poolhall and his time with the rich American widow, Hildegarde. Even though his beautiful and pious mother lets his father get away with that, even if his little brother wets the bed. Arturo loves them all. He also loves to play baseball, even though he has to wait until spring. And he also loves the movies ... and Rosa. But she doesn't love him ...

Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.

A road trip after graduating from high school is the setting of this independent feature film, in which four fundamentally different teenagers set off to Portugal together to find themselves, their purpose in life, and great freedom after school.

The play Romeo and Juliet has been translated around the world. Now Eve Annenberg’s gritty, funny feature film sets William Shakespeare's Romeo and Juliet in contemporary New York City with Brooklyn-inflected English and Yiddish spoken by a talented cast.

Edo period, Heizo Hasegawa was feared by thieves and villains as "Heizo the Oni". A young man inspects Heizo's surroundings to find out more about him, visiting Kumehachi, Hikoju, and Omasa. Heizo's true colors as a person start to become apparent.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Drug courier Sal has the war in him. When he meets the charismatic Sasha, his life goes off the rails and he botches an important coup. They flee together and Sal undergoes an astonishing metamorphosis.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."