The idea for the project “Reykjavik Butterflies” was originally to create a narrative based film about art groups in Reykjavik. There were many artists that took part in this project, like musicians, street performers, illustrators, designers and filmmakers. They were alway presenting and performing new things every week. The most known art group was the street theater (“Götuleikhúsið”), like always their performance was impressive. Many artists that participated in the project are musicians. I chose three of them and used their music in the film. When I was halfway through filming, the idea changed into an experimental film. I decided to try to combine all of my filming and editing styles. I also experimented with new styles that I have never used before.

The evil Djinn is back at it again, this time wreaking havoc on the students of Illinois' Baxter University. His victim is a beautiful, innocent and studious teenage girl named Diana Collins who accidentally opened up the Djinn's tomb and released him.

Happy and accomplished, Ellias becomes the new artistic director of a famous French Haute Couture house. When he learns that his father, whom he has not seen for many years, has just died of a heart attack, Ellias goes to Quebec to settle the estate. The young creator will discover that he has inherited much worse than his father's fragile heart.

During the Allied invasion of Italy in World War II, six stories unfold in various regions, from Sicily to the northern Po Valley. These tales follow the interactions between American soldiers and Italian civilians as they navigate their way through language barriers and cultural differences.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

During a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by Rebecca, the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

At a secluded summer camp, timid and introverted 12-year-old Morgan is thrust into a waking nightmare when a once-fabled campfire tale becomes real. As a mysterious figure descends upon the camp, Morgan and his newfound friends must embark on a treacherous journey and uncover a sinister reality buried beneath the surface.

A general's daughter lives in Tambov, in love with a street artist, whom her father disapproves of. The general has a twin brother who heads a criminal gang. Two unsuccessful robbers fail the task, which triggers a string of events that will change lives and destroy families.

On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?

The arranged marriage between a capricious woman from Tokyo high society and a quiet and rustic man is tested by a marital crisis.

When an overeager community officer and a reckless ex-detective are forced to team up, plenty of chaos ensues on the streets of Rotterdam.

When their son starts acting strangely, a couple unwittingly allow dark and sinister forces into their home, awakening a long-dormant ancient evil rooted deep in the countryside.

Melissa is an experienced, exemplary prison guard. But a dangerous spiral is set into motion when she transfers to a Corsican jail, where she accepts help and protection from inmate Saveriu to get her bearings. Upon his release, he contacts Melissa expecting to collect.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...

A second trial begins in November 1975 against French left-wing revolutionary Pierre Goldman, accused of several armed robberies and the death of two chemists.

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

In the dark landscape of the Mississippi Delta, a former bare-knuckle fighter must win one last fight to pay off his debts to the local mob boss and save his childhood home—the stakes nothing less than life or death.