Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader...

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

The Aral “Sea” powerfully reveals the deadly impact of human activities—in this case, the intensive cultivation of cotton in the USSR—on an ecosystem. Daniel Asadi Faezi (The Absence of Apricots, VdR 2018) and Mila Zhluktenko (Find Fix Finish, VdR 2017) film the shore’s last inhabitants, who have lost their way of life to the desertification of their environment. A beautiful and poignant work about our probable future.

After being "created" by a dog, Doggy Poo meets various living and inanimate things. No one wants to be his friend, and Doggy Poo becomes sad as he tries to find his purpose.

The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.

A first-born baby girl is sent away and placed in the care of Gretchen, a trusted peasant woman, who is the widowed mother of a child about the same age. The two children grow up as sisters. Later, upon her deathbed, the noble lady repents and sends for her child to reinstate her. Gretchen takes this opportunity to make a great lady of her own daughter Lena, the goose girl, by sending her to court instead of the real heiress. Hence Lena is taken before the noble lady, happy in the belief that she has made reparation. Lena is now a great lady, but the title does not fit well-- She longs to be back with Gretchen and her "geeses".

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Besides martial arts, Bruce Lee's contribution to Chinese society was instilling a strong sense of nationalism. After his death, anti-Japanese films found new breathe especially in Taiwan. Based on a King Hu’s script, Heroes Of The Underground tapped into Lee's nationalistic fervor and the Confucian ethic of country above family and starred the popular Ching Li as a World War II, Chinese secret agent planted into the Japanese Headquarters at Changsha. Tears flow in the name of country pride.

A satirical examination of the transformation of a French investment bank into a Hollywood power broker, Le Sens des Affaires begins with a lowly bank clerk's embezzlement of $104 million francs (about $14 million dollars) to finance his screen adaptation of Chekhov's Three Sisters. The clerk, Gerard Dutillard, funnels bank funds into three fictional affiliates in a way that makes the bank's president, Jean-Francois de Roquemorel, legally responsible. Financial ruin seems a distinct possibility, but Dutillard has worked out a plan to make the system work in his favor, and soon enough his banking superiors are doing their best to salvage his film and make it marketable, prompting actual investors to fuel the production with cash.

A portrait of teen escort, 'Coco'.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?

A ruthless killer (Gary Hudson), hell bent for revenge, escapes prison and vows to kill the Texas Ranger (Sam Jones) who sent him there. With the aid of his two brothers, he set off on an explosive journey to make his tormentor pay the ultimate price, a slow tortuous death.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

From dawn to night, Montreal is a living reality, with many faces, many occupations, and the uncertain and blurred colors of industrial cities. The film illustrates different aspects of this reality: the cosmopolitan Montreal, the anthropological Montreal and the plastic Montreal. Images: Electric wires; poles; view of houses and cars; airplane; bridge; men working on construction; mechanical crane pulley; mechanical crane in the street; men walking on constructions (scaffolding); skyscraper; park; lovers lying in the grass; canoe; children in a park; children on a boat; sailboats; bathers; factory chimney; quarry; CN locomotive; public market; traffic of cars and pedestrians; lights shining in the evening; fireworks