When your life doesn't go the way you planned, it might be time to consider a reset. Matt and Amy have the kids from hell, and perhaps it is time to start over! In this dark comedy, Matt has to convince his wife their life would be better without the kids, and they should consider selling them...

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

The Rolling Stones embarked on the Licks World Tour in 2002 and 2003 to celebrate their 40th anniversary, featuring the band performing in arenas and stadiums in addition to the occasional theatre. In November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set heavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this night at the Wiltern is for the rarely played classics, including Stray Cat Blues, No Expectations and a cover of Everybody Needs Somebody to Love featuring a guest spot by the legendary Solomon Burke.

The crash of student strike, also the crash of "Croatian Spring" in December of 1971, causes a violent separation of its three participants: A member of student leaders Jakov, his brother Mislav and Jakov's girlfriend Suncana. Jakov escapes abroad, while Mislav and Suncana remain in Zagreb believing that nothing bad can happen to them. Meanwhile, Mislav is getting arrested and Suncana stays alone. 20 years later, Jakov returns from Australia looking for a new beginning. He stays at Mislav's who married a girl from a rich family, after being released from prison and became a dentist. Soon, the brothers discover that the scelator from the past were not buried after all. The case of Suncana Krizic, who got killed in 1972 under mysterious circumstances, becomes Jakov's obsession in finding the truth.

Two barbarians in the desert find a stranded white woman and regard her as their property. A strange and exotic parable that presents a tragic three-cornered relationship in a politically incorrect and ironic way.

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

Soviet Georgian film by Eldar Shengelaia. Based on short story by D. Kldiashvili

The unbelievable true story of Rudolf Manga Bell, an African king who leads a rebellion against Kaiser Wilhelm II's oppressive colonial rule at the start of World War 1.

Mexican drug kingpin Papi enters a turf war against a team of American mafia intruders led by Mesías. But while the battle rages, the Korean mob sees an opportunity to seize power while its enemies fight each other.

It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

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