Following two Water Australia employees who travel out along the Nullarbor Plain only to discover they are being hunted by the mythological creature, the Nullarbor Nymph.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

A chance meeting of two morose lovers sends them spiraling down a surreal rabbit hole. Their relationship will be challenged by their pasts, their futures, their perception of time, and a vampire death cult.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

After being convicted of killing her rapist, a woman gives birth to a baby in jail. Regrettable accidents cause her to lose contact with her son. Twenty years later...

Lefty-a hard working, light hearted man is looking to make a decent buck. But when a simple bet goes horribly wrong, Lefty is stuck between a rock and gangster who's dead set on collecting his money.

Mighty Mouse.

101 Seconds follows two families as they join the gun control movement after members of their families are killed in a mall.

In the huge steel factories in Terni (Umbria, Italy), two friends: Mario and Pietro, fight for the love of the same girl, Gina. Pietro dies because of a work accident at the factory. The other workers think Mario is responsible for the death of his friend. Mario, who is innocent, is forced to quit, but his love for Gina and his dedication to his job help him out of his crisis.

As South Africa celebrates its 20th anniversary of the advent of democracy in 1994, it is difficult to believe the ‘Mandela miracle’ nearly didn’t happen. In an orgy of countrywide violence, some were intent on derailing the first free elections. Now, for the first time, those responsible for countless deaths and widespread mayhem explain how they nearly brought South Africa to its knees. 1994: The Bloody Miracle is a chilling look at what these hard men did to thwart democracy, and at how they have now made an uneasy peace with the ‘Rainbow Nation’ in their own different ways.

The story of Bari Lai Lai Lai follows Sita, a passionate writer who plans to create a vibrant music video. She enlists two models, Nikhil and Sanchita, to bring her vision to life. Nikhil, a strong and confident man, meets Sanchita, a beautiful and charming young woman, for the first time at Tower Bridge in London. From the very first moment, Nikhil is captivated by Sanchita's elegance, proving that first impressions truly last forever. As the music video unfolds, their chemistry grows naturally, and what begins as a professional collaboration blossoms into genuine love. The two fall for each other during the shoot and eventually start living together, their romance becoming a heartfelt part of the story behind the song. This music video combines the themes of love, destiny, and the magic of a first encounter against the iconic backdrop of London.

A majestic mountain range rises over a Norwegian town engulfed in darkness. The stormy sea laps at its shores. A thick snow is falling. The town’s inhabitants, almost motionless in their existence, are like creatures in hibernation. The camera’s static shots resembling photographs are woven together into an experimental documentary on life in Skaland.

In late 2015, "Bright Ideas" magazine and its publisher, the innovative crowdfunding and distribution platform Seed & Spark, commissioned directing duo the Zellner Bros. (KUMIKO, THE TREASURE HUNTER) to make a short piece in response to a Criterion Collection release that they considered inspiring. The brothers chose Louis Malle's wild, hallucinogenic BLACK MOON (1975), itself a tripped-out reimagining of "Alice in Wonderland." Shot in the woods near their Austin homes, BLACK SOMETHING captures Malle's blending of idyllic pastoral imagery with nightmarish fantasy, distilling it into a skin-crawlingly unsettling three-minute short.

Leela, an aspiring heroine, is forced to tie the knot with Arivu, 35-year-old Malaysian return simpleton hailing from the same village. After knowing that Leela did not sign up for him or the wedding, Arivu decides to win his wife’s heart,and also confronts with his buried past.

Experimental film in which with black birds and peacocks, old postcards and dried flowers, toiletries and antiquarian pieces, the mannerist or theatrical touches of Creole romanticism are recreated and ironizes around the modesty of María and her vampiresque unfolding.

Observational short film made during a barbecue