Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

An ex-con's plans to retire to Florida with a fortune in stolen money are waylaid after his former boss coaxes him to a remote bed and breakfast to protect the daughter he has never met. A storm traps him and 6 others at a B and B, events turn deadly. These seven seeming strangers discover that their lives are all connected by a tragic murder, from eleven years earlier.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Tintin is visited in India by a Chinese gentleman who brings him a message. Then, an unseen marksman throws a poisonous dart right into his neck. The only clue Tintin receives from the now mad messenger is that there are problems in Shanghai related to a man named Mitsuhirato.

George Winter, a self-made businessman and MP, lets nothing get in the way of his climb to the top. Certain in his belief in the corruptible and foolish nature of others, whenever Winter meets a competitor who can't be bought, he destroys the man through methods both legal and underhanded. Then, he meets his 'tenth man': a victim who refuses to be silenced by threat or bribery, with the power to bring Winter's house of cards crashing down around him.

The work has been created for the IAR international video art exhibition at palazzo Fondi in Napoli, and it was filmed and produced at Via Farini - Vir artist in residency in Milano. The film wishes to investigate a potential contemporary condition of suspension in which western-society has fallen into. The artist by assembling a unique optical device has explored the microscopic dimension of billboard paper and projected it back onto its given urban environments. The result is an atmospheric work in which the micro confronts the macro in a sequence of urban projections where by means of juxtaposition of perspectives reality results as partially suspended.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.

The opera diva Bianca Castafiore spends a few days with Tintin and his friends at Marlinspike Hall, where a mysterious theft is perpetrated.

Seven famous actors get caught up in a game that no one can predict the ending. In a moment when the whole world is in limbo and the future seems more than uncertain, the stars receive a lucrative offer. And although it is not the peak of their professional ambitions, they do not intend to give it up. Sex, intrigue, betrayals, denunciations, disloyalty, deceptions, all covered with an artificial smile.