Look Sharp Live is the second concert film by Swedish pop music duo Roxette, released on 2 October 1989 on VHS format by EMI and Picture Music International.. The footage consists of two edited concerts filmed on the Borgholm Castle ruin on the Swedish Baltic Sea island of Öland on 25–26 July 1989. The project had a considerable budget, with the production crew hiring two helicopters from the Swedish Air Force to film aerial shots. Footage from this film was used to create two music videos: "Listen to Your Heart" and "Dangerous". Included as an unlisted track on all editions of the film is a remix of "The Look", which mixes the song with footage from two preexisting music videos directed by Peter Heath: "The Look" and "Dressed for Success".

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

Jerry, with the help of a mouse friend, is lowered on a fishing line, abuses the sleeping Tom in various ways, and is yanked away before Tom sees him. First, he hits Tom with a fireplace shovel and plants it in Tom's hand; next, he puts a gun in Tom's hand and pulls the trigger; he puts a noose around Tom's neck; positions a ketchup-covered knife (complete with ketchup "wound"); and finally puts Tom into an archery bow. Tom finally gets his revenge,

Six kidnapped strangers wake up in cages in a remote hangar. After the initial panic, questions start running through their heads. How did they get there? Why are they locked in cages? Who is the one who imprisoned them?

Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.

During a period of 20 years Jørgen Leth portrays Haitian painters and their wonderful native artform. They are dreamers, mystics, fantasts and storytellers. Haiti is a country in which a strong sense of historical destiny confronts the human condition, and where spiritual forces play an active part in everyday life.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

The Last Buck Hunt is a horror-comedy about a hapless TV crew and some killer wildlife.

The movie shows a smattering of images from the story of Wilhelm Jensen's Gradiva. The subject is sublimated desire.

Five random people get special abilities unexpectedly, after organ transplant! They form a team and call themselves the 'HI-FIVE'!

In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.

Irish Sketch Movie Starring Jon Kenny & Pat Shortt

Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.

In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.