On the run for murder, Avery Quinn bursts into Alpha Omega Pi house looking for help. Desperate to prove her innocence and her sanity, she holds a handful of people hostage and as a last resort, she summons the legendary Sandman and now everyone has two choices: Face their worst nightmares...or...die!

A kindly occupational therapist undergoes a new procedure to be shrunken to four inches tall so that he and his wife can help save the planet and afford a nice lifestyle at the same time.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.

Tommy dos Santos wasn't born a psychopath, nor was he made into a sociopath. He was something entirely new, and he was walking his own path - a path that will run red with the blood of the foulest most fiendishly frightening creatures ever conceived by man! No longer do they have the starring role in our nightmares, it is now the clowns who are the prey, running for their lives from a killer who won't stop until every single one of them is dead. As Tommy's body count rises, he finds himself getting closer and closer to what he thought was a ghost, the once great clown king known as "Giggles," and wonders - if laughter can't die, how about Giggles?

A collection of three 80's-inspired horror-comedy film trailers parodying zombie, slasher and monster movies. The Sitting Dead follows a pregnant couple in a dystopic world where zombies have taken all the chairs. "Jump Scare II: Double Dutch" follows a gym teacher and his evil twin who kill students with jump ropes. "Snack Time" follows a police chief's mission to stop a monster vending machine.

After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.

A woman living alone starts to feel uneasy when she discovers traces of a stranger having been in her home. Single and beautiful Fang Hui works alone in the big city. One night, she suddenly hears someone outside the door trying to break in, violently pulling the door. A security guard notices that the floors monitor are broken. This made Fang Hui's peaceful life of living alone suddenly shrouded in the shadow of anxiety. When the night came again, sleeping Fang Hui vaguely notices that someone had entered her room... but she didn't find any signs when she wakes up.

Babji, a loan recovery agent, decides to help Kavya when he finds her being chased by her family. However, Kavya's brother thinks that Babji and her sister are lovers and attacks his family.

An adaptation of Xuan Xiaofo’s novel of the same name

After notorious jewel thief Flambeau meets Evelyn Fischer during a raid on a casino, he falls deeply in love with her. Later Flambeau sends notes to both Leopold Fischer, who unknown to him is Evelyn's uncle, and Father Brown, in which he vows he will steal from them the ten diamonds that comprise the "Flying Star." Flambeau intends to give these diamonds to Evelyn. Father Brown, whose gold cross contains some of the Flying Star diamonds, is determined to meet Flambeau before he is arrested, to reform and redeem his soul.

Fidi is aimlessly hitchhiking on a snowy winter's night and ends up being seduced by Nona into murdering several innocent bystanders.

In a small town in the countryside in the south of Brazil, a teenager that uses the codename Mr. Tambourine Man spends his time in Internet, at school, smoking pot with his best friend Diego and with his dysfunctional mother. He dreams on leaving his hometown to watch a Bob Dylan's show but seems to be hopeless stranded in the spot.

Szulkin stages a morality play about a sinful woman’s encounter with the devil, set to the Polish ballad of the same name and imbued with folkloric imagery.