This Passing Parade series entry looks at three instances of people who either caused or were the victims of errors.

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

An elder brother who lived a life of crime but left to show his younger brother the lifestyle is not fit for anything. Years later his younger brother takes his footsteps in the life of drugs/crime, to a deal gone wrong his younger brother is murdered, his elder brother steps back into his crime ways and to find and avenge his younger brother's death.

A series of werewolf sighting are reported in the early 1990s in Elkhorn, Wisconsin, and the community becomes a werewolf hotspot.

Vaasu, a young man who falls head over heels in love with Mahalakshmi, however, little does he know that his actions would have adverse repercussions on his family.

The odd-couple courtship saga continues of wealthy, middle-aged retiree Qin Fen and serious-minded young air hostess Xiaoxiao. After an amusing prelude in which Qin presides over a lavish divorce ceremony for an amicably splitting married couple, he and Xiaoxiao decide to address their own relationship barriers — her youth and beauty, his cynical, childish sense of humor — by entering into a trial marriage while on a trip to the country's tropical southeast.

Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

Gordon discovers that his girlfriend's dog isn't quite what she says it is.

Northern Portugal. An imposing residence with its garden and magnolia tree. As we know, home is a place that film, this outdoor art, has often used to depict less the joys of family life than a pernicious space. André Gil Mata has made it his stage, with its rooms, its furniture, what plays out there and what has already played out there. From one room to another, from one era to another, the film delves deep into this enclosed space, a kind of suffocating box.

In the second of two Dallas reunion films, War of the Ewings follows Bobby and Sue Ellen Ewing two years after taking over control of Ewing Oil. Although J.R. is managing WestStar Oil, he wants to once again own his father's company. When he discovers that Ray Krebbs' land has undiscovered oil on it, he clashes with everyone — from Carter McKay to the Ewings — to get what he wants.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

A woman who misses her husband, who died in prison, is disputed between wine growers.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.