Tomás, desperate, knocks insistently on the door of a lonely house. Nobody opens it. When he leaves the place, he sees some bushes moving and goes into a wooded path. Along the way, from his memories, he faces several episodes of fear in his life until he reaches the exit of the path, which takes him back to the door of the house. Tomás enters and talks with a woman (who represents death), at which point he decides to face his fears.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

The deconstruction of the Avatar scenes and sets

When Alex is caught using magic to clean her room she is forced to go to wizard school with Justin. Max and Jerry camp out on the terrace to prove their manhood.

Keka is a beautiful young woman working in a call center. Wanting to hunt down the killers and avenge her boyfriend's death, she undergoes rigid training. Everything has been going well until she meets the guy who makes her fall in love again.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.

Succesful businesswoman Chris Winslow gives up her career to raise her deceased sister's son, Kevin. Eight years later, she must contend with the boy's father who was unaware of his son's existence. Prompted by a wise judge, they decide to enter into a marriage of convenience in order to not upset the child, though they soon find that they may just be in love after all.

Oceansize celebrates their tenth anniversary with a series of intimate shows in Manchester, performing their first three albums in their entirety over three consecutive nights.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

After two young elves give Santa and the North Pole food poisoning they must redeem their Naughty List status by finding a way to save Christmas.

During a period of 20 years Jørgen Leth portrays Haitian painters and their wonderful native artform. They are dreamers, mystics, fantasts and storytellers. Haiti is a country in which a strong sense of historical destiny confronts the human condition, and where spiritual forces play an active part in everyday life.

Jerry, with the help of a mouse friend, is lowered on a fishing line, abuses the sleeping Tom in various ways, and is yanked away before Tom sees him. First, he hits Tom with a fireplace shovel and plants it in Tom's hand; next, he puts a gun in Tom's hand and pulls the trigger; he puts a noose around Tom's neck; positions a ketchup-covered knife (complete with ketchup "wound"); and finally puts Tom into an archery bow. Tom finally gets his revenge,

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

A misfit turned L.A. model struggles to define herself in the soul-crushing fashion industry, until a mysterious woman's haunting performance strikes her imagination.