Two Berlin archetypes - Harald Juhnke and Günter Pfitzmann - convince in this touching big-city fairy tale in insistent roles as typical Berlin characters with everyday wit, temperament and improvisational talent.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Joy is a journey through the mind of a 65-year-old autistic lesbian who's addicted to sugar and can't stop thinking about her ex-girlfriend from youth. She lives with her partner—a mannequin that she's built to look like her ex. The tragicomic piece delves deep into moments of intimacy, loneliness, sexuality, joy, and the desperate longing to be loved.

A dark, gritty drama that wraps around Louie Lazaro. a drug addict and a male dancer. As he tries to escape the evils of his past.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

'Growth" is an exploration of the universality of growing up through the eyes of those who have experienced it first hand. Captured entirely from above and featuring over 75 unique individuals, this short meditative documentary explores the complexity, subtlety, and beauty of growing up.

the boys (and Georgina) take on the Emirates stadium in an epic afternoon of parkour! Corruption 4 eva!!!

While his father lies sick in a hospital room, Albert and his family try to get on with their lives. Their world seems suddenly divided in two: what happens inside the hospital, and the universe outside.

A cinematic collage about people caught between two worlds. An empathetic look at a physical journey and the melodramas of a journey that is spiritual. Nikita Pavlov emigrated from Russia to Israel because he always wanted to experience life in another country. Street protests, political activism, and his daughters first steps are captured without any chronological context, separated only by Pavlovs thoughts and ideas. A cinematic diary that attempts to piece together a hypothetical picture of the filmmakers future.

An animated adaptation of Nikolai Gogol's classic short story about an office worker who saves all his money to buy a new coat in time for Christmas, only to have fate take a ghostly hand.

He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Burned by the desire to avenge her dead boyfriend, a Japanese woman learns to shoot a gun, and goes after the local Mafia in Taiwan. Mizuno Miki excels in her role as the grieving and estranged, then vengeful and cold-blooded foreigner.

André, a brilliant idiot, is dying because he didn’t get a colonoscopy. His sobering diagnosis, complete irreverence, and insatiable curiosity, send him on an unexpected journey learning how to die happily and ridiculously without losing his sense of humor.

“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal. This was a time when I had to open up to a greater freshness of purpose. I had to go forward into the unknown without a plan” (Jerome Hiler).