"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Like the original film, the sequel is set in a near future where all drinking and drugs are banned except for on one glorious day known as The Binge. This year, that day happens to miraculously land on Christmas.

Max Andreev thought the best place to start a new life would be at the other end of the world. What he didn't know, is that you can't outrun your past.

Country Music legend Johnny Cash won 11 Grammy awards and recorded over 100 hits during a prolific six-decade career. A groundbreaking singer-songwriter in his early years at Sun Records alongside Elvis Presley, The Man in Black combined brooding country, folk and rock 'n' roll to invent his own sub-genre; while his later 'American Recordings' - brilliant reinterpretations of contemporary songs by Nick Cave, U2 and Nine Inch Nails - confirmed Cash's versatility, bringing his compelling sound to younger generations. This classic anthology features unforgettable renditions of Cash's biggest hits, including Cry, Cry, Cry, Big Rover, Folsom Prison Blues, Five Feet high & Rising, I Walk The Line, Ring Of Fire, and the 1990s hit Bird on a Wire. A must-have collection for any fan of the king of country music, Johnny Cash: Greatest Hits also features tributes from country stars Waylon Jennings, Merle Haggard, Marty Stuart, Geln Campbell and George Jones.

Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Gérard, CEO of the factory "La voix du peuple", decides to close his factory by dismissing all his staff, starting with Jean Barbier, the chief of staff, and Phil Dechambre.

With the victory against "The Beastly Beasts", "The Wild Soccer Bunch" showed it to everyone and then won every single game. Only one victory now separates them from the "Pott", the Freestyle Soccer Cup. For this they have to compete against the "Wolves of Ragnarök". But the wolves are not normal opponents! They have a dark secret - and behind them lurks a power stronger than all of them: the girl Horizon and the "Silver Lights" from the fog...

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Three men are sitting around a table, two of them playing a game of Écarté. When the game is over, a domestic serves drinks.

A moon base is destroyed by a spaceship from Zigra which is looking to take over the planet earth to use its oceans for its ocean-dwelling denizens. Gamera must once again come to the aid of the human race while all of Japan roots him on.

Part-improvised and starring a cast of nonactors led by real-life punk Ana Hernandez (as Alma, which also means “soul”), ALMA PUNK traces the tortuous path of a young riot grrl from the Mexico City punk scene as she moves north to Tijuana and, eventually, towards the United States. It confidently breaks with the rules of staging docudrama with an unsparing look at Alma’s love life, unfakeable scene bohemianism and extensive location footage of Mexico before NAFTA and after the 1985 earthquake. “I feel like no one is supporting me,” Alma says. “Guys want everything and give nothing in return. Isn’t that so?” Like NADIE ES INOCENTE, this film uses the intimacy and flexibility of video (this time, 3/4″) to wring innovation in the editing room, this time to give Alma a similarly alienated and jittery headspace.

A visual essay about František Vláčil's experimental cinema. One of the most underrated directors in history

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Jeffery hasn't been the same since the loss of his wife who died during childbirth. Now crisis returns to his life, as his only child is diagnosed with leukemia, sending him into a tailspin. He turns away from his faith, feeling that life is no longer worth living. As God brings reminders of His goodness into Jeffery's life, will that be enough to guide him back to what matters most?

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.