A documentary chronicling the coming of age of a young chinese man.

In the late 1980s and early 1990s, in an attempt to stop the spread of AIDS, the Chinese government sought a “purer” blood supply from its rural population. Burdened by agricultural taxes and rising costs of education and health care, many peasants sold blood to state and private blood-collectors. Due to lack of sanitary control, a large number of blood-sellers were infected with HIV. Starting from the mid-1990s, AIDS villages multiplied.

Through interviews with both victims and instigators, Nanfu Wang, a first-time mother, breaks open decades of silence on a vast, unprecedented social experiment that shaped — and destroyed — countless lives in China.

The evil is set to damper another Christmas season for the children's home. Can the Scooby gang warm his heart?

On a trip to visit his parents, detective Nick Charles gets mixed up in a murder investigation.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

Five high school students plans to steal University Entrance Exam booklets.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.