Inspired by the Puranic story of Abhimanyu and his mother Subhadra, the film portrays the relationship of the protagonist with her baby, before and after it is born.

A lesbian couple calls upon a donor by internet to have a child. The relationship that develops between the future biological mother and the donor will not be without consequences for the couple.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

To bring peace back to the universe, Amazoness Queen, Hippolya, sends her soldiers, Altesia and Nadia to the earth. Their mission is to find Prince Intao.

Klim, illegally convicted of karate training, returns home after five years in prison. Finds shelter with a caring uncle Pasha. But the desire to find the one who sent him on a “five-year vacation”, and even killed a friend, makes Klim stir up the “rat corner” of corrupt cops and local bandits. But the truth is treacherously bitter.

Struggling to connect with her grieving family after the sudden death of her stepfather, a teenager sneaks off to shoot guns in rural Florida with her best friend.

Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males.

A heavy rain hits a dike, leaving it on the verge of a collapse. There is no safety and it is not possible to predict when it’s gonna end.

Juliette discovers that her teenage son, whom she thought was flourishing, is in reality undermined by a deep malaise and that he has become dangerously dependent on drugs. Determined to get him out of his deadly addiction, and driven by her unconditional love, she embarks on a long and painful fight, alongside her child, without ever giving up on saving him.

When Mickey accidentally knocks out a local boxing champ, he is forced to take the fighter's place in a bout.

The ups and downs in the lives of immigrants from post-war Europe, arriving in Brazil in search of a better future.

After the death of Alan Stanley, Maud Fergusson seeks revenge. On her behalf, the detective Hunt begins to investigate and proves that Murphy is responsible for the murder. Maud's revenge plan involves launching a newspaper campaign against Murphy, defaming and embarrassing him.

A video that was banned from the air 20 years ago was obtained exclusively! A new talent, Akemi Saito, visits a haunted spot where there is an urban legend of "kidnapping" to verify the footage, but as she reports, horror strikes one after another. How to Take a Ghost Photo] A high school girl tries out a "how to take a ghost photo" she saw on her smartphone with a light heart, and one after another, horror after horror strikes her. Omnibus horror of 8 episodes including

Puchuncaví originally derives from Mapudungún (the Mapuche natives' language) and reads as something like 'where fiestas abound' referring to the tradition of the native fiestas. This is in contrast to the more recent industrial development of the area that includes copper refineries, steam power plants and a lading port. The lading port and its immediate environment could be regarded as the intersection of the site Puchuncaví. The concept of this film is an ongoing project that grows every year with new blocks of fragments, all fragments are mostly consisting of one shot or edited in the camera and in the editing table and exploring the different stratas of this place.