An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.

Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.

An unlucky Birthday boy must fight for his life against a masked psychopath.

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.

1983: O Ano dos Videogames no Brasil tells the story of how video games, as a new form of entertainment, officially arrived in the country in 1983, but it will also bring information about the before and something about the after. The focus is essentially on devices that preceded the cartridges, such as Casio's game watches, Game & Watch handhelds and PONGs/Telejogos, but mainly - and especially - the first national generation of video games itself, the Odyssey generation, the Atari 2600 and its clones, Intellivision and SpliceVision (ColecoVision).

A man tries to clean the blood off himself after committing a violent crime.

After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.

Trung is a prisoner, guilty for robbery and murder. On the way to a new camp, he plots to escape. He robbed a gun to escape before the police chase. In desperation, Trung jumps into Kim's car. Kim is a solid, beautiful nurse who lives on an isolated farm, owned by a Vietnamese man living overseas. The farm is set up for his son, Hai, a 20-year-old boy who has a particular illness. Kim is responsible for taking care of Hai. Kim drives to the farm, unknowingly carrying Trung. Then a relationship forms between these three strange people. Both Kim and Hai have fallen in love with Trung with all joy, anger, and happiness.

Adela, a former radio personality, celebrates her 80th birthday. Alone, and without support, she longs for the family and stability of years gone by. Mundane events take on heightened meaning as Adela gauges her life against those of the sea of humanity. Adela is about the quiet moments in life that can fill us with either joy or sorrow.

This documentary explores the Deadhead phenomenon. For thirty years, Jerry Garcia played guitar and sang for the Grateful Dead, and by doing so, inspired a modern cultural phenomenon: the legions of nomadic fans that made a communal way of life out of following Jerry and the Dead, the Deadheads. The End of the Road began shooting three months prior to Garcia's death in 1995, on the road with the wandering family of Deadheads- on what would be the final tour with Jerry and the Grateful Dead. Featuring a soundtrack by Merl Saunders and Jerry Garcia, the film celebrates this social, political and cultural movement in its twilight.

Tokoro Yui is a lover of literature and a huge fan of a famous student author known as Midorimachi Konoha. Unfortunately for her, her new school’s literature club is dominated by a group of elite students, preventing her from joining. However, the club’s leader Saionji Mari offers her a lifeline: if she can find out the true identity of the famous writer, she will be permitted to join the club.

A heart broken father makes it his Christmas mission to return his estranged daughter's beloved lost Mood Bear, Happy Bear.

There are approximately 6.5 billion moments that occur on Earth everyday... Some remembered. Some forgotten.

Produced by CBN Documentaries and Biblical Productions, "In Our Hands" tells the story of the Battle of Jerusalem in the Six-Day War through the eyes of the IDF's 55th Paratrooper Brigade

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

An atmospheric venture into slow cinema, following Rose, a down and out gay prostitute, trapped in the minutiae of his quiet and isolated life.

Neeraja has vitiligo, a skin disease that makes her a social outcast. She faces many challenges in her life but with her will power, she overcomes them all.

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.