Shape Notes
A portrait of Alexander Calder’s work Chef d’orchestra (1966), which was made in collaboration with New York composer Earle Brown. When it was made in 1964, the work was intended to be both an instrument (“played” at intervals in an open score by four percussionists) and a conductor (after it was hit and spun in motion, the musicians returned to their percussion stands and imagined the petals of the mobile superimposed over their written score, playing only those notes.) For Shape Notes, two performances of Chef d'orchestre were staged and recorded. The audio recordings of those performances were then edited and used as a new score from which the visual rhythm of this work was composed.
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Welcome
Thirty-five years after "Keep in Touch", Jean-Claude Rousseau’s filmmaking returns to the city of Carl Andre and Hollis Frampton. It’s like a miniature remake of "Rear Window", but a New York version – Rear Window as seen by a minimalist artist from New York. The window takes up almost the entire frame, the photographer is nowhere to be seen and the gaze, no longer voyeuristic, flutters over the surface of a red brick façade on the other side, studded by myriad identical windows. On the surface of the windows or in the depths of the bedrooms, life passes by, takes its leave and returns, always inaccessible.
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