Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

The year's most beautiful natural experience on the big screen is also a poetic film about the power of language to re-enchant the world around us. Based on Robert MacFarlane and Jackie Morris' bestseller.

After parting with Sasuke at the Final Valley, Uzumaki Naruto has been away from the village of Konohagakure to further his training. Two and a half years later, he finally returns to the village and takes his mission in Team Kakashi, then he finds the clue on Orochimaru. Naruto leads the team and heads to the place where Orochimaru is in order to save his friend Sasuke. However, little does he know that "Akatsuki" is seeking after his life to acquire the Nine-Tailed sealed in his body.

Alma Mahler's affair with the young architect Walter Gropius sets in motion a marital drama that forces her husband Gustav Mahler to seek advice from Sigmund Freud.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

On their way up to a mountain cabin, Sarah and Thomas run into a dense mist and seem to go astray in the dangerous altitudes. In search of the cabin they encounter increasingly strange events. Lost in those heights, eventually a life-threatening battle between reality and illusion begins...

This is the story of Harry, Niall, Zayn, Louis and Liam; five boys from the UK who are taking the world by storm. One Direction are a global phenomenon, spearheading a British Invasion of America not seen for fifty years. From their explosive first appearance on The X Factor to becoming the hottest boy band on the planet, Reaching for the stars features previously unseen footage from the boy s world tour and concerts. Interviews with industry experts explore what really makes these teen idols tick, and as this pop fairy-tale unfolds we ask what s next? for the boys who seem to have it all.

Every week, 10 elderly gays gather in a room lighten by neon lights in the LGBT Center of Tel-Aviv. Being part of a community that sanctifies youth, this intimate space is these old gays last and only shelter, where they can age and deal with aging openly: from sexuality and body image at old age, to loneliness and to the member's condition as widowers, divorcees and-or grandparents. Instead of the typical sociological and biographical documentation, the movie follows these witty seniors and their funny dialogues in the room and gives a humoristic glimpse to the ruthless process of aging.

This one is another warning to the French public about the dangers of alcohol. Everything seems rosy at first, but that doesn't last long. After illustrating the 'metamorphosis of money' into alcohol, the film describes the inevitable consequence - which isn't just drunkenness and unconsciousness, but insanity and death apparently.

Lawrence Shaw is a run of the mill guy who just can't get accepted for being who he is. He's not straight enough for his job where he sells testosterone fueled ad campaigns to beer companies and he's not stereotypically gay enough for his boyfriend. To make things worse, his father Elijah just died and his last dying wish was for Lawrence to go on a road trip with his extremely homophobic half-brother Kevin to bury his ashes. It's a heroically dumb journey of brotherly love and acceptance that begs the age old question... Can you truly accept someone else when you can't even accept yourself?"

Tonnemann lives in one of the wooden sheds at the far end of Islands Brygge, close to Copenhagen's landfill site. But in 1928, he wants to leave this environment behind – to go where the air is fresh and life may offer both security and meaning. He is already on his way with his packed suitcase to sign on to a long-distance boat when a lovely girl gets in his way with her little red sports car.

The movie starts off with Ryotsu (with Honda as his patsy) hatching another crackpot scam with a fake UFO sighting (via fake crop circles and a wire-hanging UFO). But the plan fails per usual, with the Kameari Park Police Box which results in Ohara punishes Ryotsu by subtracting him from the station's group vacation to Hawaii the following day.