"Brief Loss depicts Lindsay Duncanson’s confinement to home during the Covid-19 lockdown. This piece contrasts with the artist’s other works made in vast rural settings. Her family regularly feature as part of her nomadic practice which explores connections between body and landscape." - Middlesbrough Institute of Modern Art

A group of cute meerkats painstakingly care for their beloved and unique fruit, but a vulture has a mind to disturb their peace of mind.

Single-channel video installation commissioned by Public Art Development Trust, London.

A raindrop falls from a leaf and seeps into the earth. Within, it is permeated by beauty, cruelty, happiness and sadness.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

A video recently posted by two teens shows something popping out of a closed toilet at an abandoned school.

Two best friends make the best of going to high school by dreaming up fashion magazine photo shoots, and bribing their siblings to model for them.  René indulges all his fantasies and loves designing clothes. Frankie lives for her camera and punk rock. They both fall for Sasha, the shy soccer player with a soft spot for poems by Pushkin. When the three of them are caught between competing invitations to prom, their high-fashion drama could destroy their friendships along with the entire prom.

A gay teenager is haunted by a shadowy presence while his parents are getting a divorce, he can't seem to convey his emotions to his best friend or make his family listen. His world is turned upside down when the shadow reveals to him a darker secret his family keeps to him.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

In 1966, suffering from a serious ulcer, Pier Paolo Pasolini looked back on his life and work. He wrote a long autobiographical poem in prose, which he reworked several times and eventually abandoned. Thirty years after Pasolini's death, Bertrand Bonello decided to make a film about it, in homage to this overexcited artist and key figure of the 20th century.

A young man who has been beaten, abused, humiliated and laughed at all his life finds that he has an unusual empathy with snakes. He can talk to them and they understand him, and eventually he finds that he can get them to do his bidding. He decides to use his newfound friends to take his revenge on everyone who ever did him wrong.

The story of a girl in a small North Indian town who is an obsessive fan of top Hindi movie star Madhuri Dixit, and dreams of moving to Mumbai to become a film heroine herself.

The Mannequin, a horror short film about a mannequin who just wants his arm back.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Political thugs commit an abhorrent crime, taking an innocent bystander on the run. The police chase them, and moral dilemmas arise among them. The bystander's fate remains ambiguous. Escaping justice, they face life-altering consequences.

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.