In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

Youssef Soltane, a 45-year-old Tunisian intellectual, is the product of a generation that lived the era of euphoria and great ideologies in the sixties, and their subsequent failure. He was incarcerated and tortured for his political opinions. Furthermore, his relationship with Zineb, a young, beautiful bourgeois, only brings him more trouble. During one long winter night, Youssef wanders in search of an emotional haven, prey to all the questions that flood his memory.

Polidor drags down the street a bulky sofa on which every couple sitting ends up kissing.

A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.

While his father lies sick in a hospital room, Albert and his family try to get on with their lives. Their world seems suddenly divided in two: what happens inside the hospital, and the universe outside.

First part of the documentary series, The History Of Iron Maiden, featuring an exhaustive, thoroughly complete history of the early years of Iron Maiden, from their humble beginnings in London's East End in 1975 through their triumphant Piece Of Mind album and tour in 1983. The set features a large collection of rare videos and concert footage, as well as interviews with former members such as Paul Di'Anno, Clive Burr, Dennis Stratton, Dave Sullivan, Terry Rance, Kent Ewing, Doug Sampson, Ron Matthews, Terry Wapram and Bob Sawyer.

Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

Part of Matt Mitler and Robert Prichard's Surf Reality Movie of the Month series, this featurette follows marriage-hungry Sarah as she's helped by a magic homeless man to find her true calling. Maybe.

Sailor is brought by the police as a recruit to the navy.

They’re small, clever, and incredibly strong-willed: dachshunds. Their soulful gaze wins hearts and fuels their lasting popularity. Once royal hunting dogs, they now take on unusual jobs—like Strolchi, a miniature dachshund who sniffs out woodworm in historic buildings. The bond between humans and dachshunds goes back to Celtic times. Archaeologists have even found joint burials of people and dachshund-like dogs. Versatile and charming, they thrive as city pets, hunting companions, and even racers—like those at the annual Wiener Race in Kirchheimbolanden. Beloved far beyond Germany, dachshunds have fans in France too, with events like Paris’s “Sausage Walk.”

Adaptation of Martin Armstrong's poem about an elderly lady who becomes perturbed by something we can't see. It becomes apparent that she is looking for her past, lost in a memory or the clutches of nostalgia. Miss Thompson's shopping trip to town is in chaotic contrast to the tranquil nature of her lonely home, which on return seems like paradise.

Robert Mitchum lives in a deserted movie set.

A woman wakes up to discover herself in a hospital room. She wanders the corridors before making a shocking discovery.

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.