A documentary from Tom Welsh following metalcore band, While She Sleeps, on a 20 day period during spring 2011 when the Sheffield group toured Europe.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Sailor is brought by the police as a recruit to the navy.

Rescue plunges audiences into the hard, but inspiring work of saving lives in the face of a natural disaster. Behind the scenes, the film follows a Canadian naval commander, two pilots, and a volunteer rescue technician as they train for action. When an earthquake strikes Haiti, creating one of the biggest humanitarian disasters of the century, the audience is swept along, joining with the massive effort that brings military and civilian responders and hardware from around the world. Rescue is a journey of real-world disaster and emergency response captured (in 3D) with unprecedented scale and impact for the giant screen.

Against the backdrop of unprecedented gun violence, Reggie Yates travels to Chicago to investigate gun crime in President Obama's adopted hometown.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.

On a sunny day, the glorious Bike God walks across the Earth's soil and faces one of his greatest enemies, the Car God, in an epic battle that will go down in history.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

When master monster make-up man Pete Dumond is fired by the new bosses of American International studios, he uses his creations to exact revenge.

In a professional school a girls and boys brigades are competing to finish the big order in time.

After his mother death a sixteen years old Sergey suddenly finds out that his father is alive and well.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

Two guys are arguing about the meaning of life and the purpose of humankind's existence. 'Why do we exist and who are we?' - this is the question.

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

When Miranda makes bad decisions about her love life, a possessed tampon enters to take care of business.