On December 21, 2002 DMB fans were treated to one of the most exciting collaborations in the band's history - James Brown and members of his Soul Generals joined Dave Matthews Band, and members of Karl Denson’s Tiny Universe for Brown’s classic “Get Up (I Feel Like Being A) Sex Machine.” This incredible guest appearance shows Brown trading dance moves with Dave, and concludes an epic 25-minute funk session of "So Much To Say > Anyone Seen the Bridge? > Too Much > Get Up.” While an obvious highlight of the evening, it is not the only one. “Seek Up” features superb performances from both LeRoi Moore and Butch Taylor, while the evening’s momentous encore of “Halloween > Ants Marching” could not have closed out a multi-night, sold out run at NYC’s preeminent Madison Square Garden in better fashion.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A young man talks to his psychiatrist about strange visions he has been having in his dreams.

A man tries to make a film but gets sick.

is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.

Gene Autry is back near the saddle, trying to help out a crippled jockey. Gene is certain that the jockey can ride in the Big Race if the lad can regain his self-confidence. Meanwhile, Gene and comical sidekick Sterling Holloway have another problem on their hands: A rogue stallion has "kidnapped" Gene's prize mare. Piloting a plane, Autry seeks out and locates the stallion.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

A corrupt lawyer hires a killer to murder his client's divorced ex-wife. The start of a true love story.

A young mom questions her choices and identity while raising her daughter on a farm.

This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.

In late 1989, angered by comments made by Liv Ullmann about Hong Kong's treatment of Vietnamese refugees, Rubie composes a letter to the actress. Passages from the letter are revealed throughout the movie as Rubie, her friends, and family come to terms with the impending handover to China, and decide whether to remain in Hong Kong or emigrate abroad

These likeable dropouts from the entrenched corporate lifestyle of New Eden eke out a meager living on trade runs and the odd courier job here and there. Still, they manage to find humor in their grim lot as they narrowly avoid being blown out of the stars by pirates, hired thugs, or whatever threat awaits them on the other side of the next jump gate. This is life aboard the Clear Skies.

Mexican feature film

Musical documentary that delves into the studio of producer Tejon Jones.

This documentary explores the sequence of events that led A-listers Brad Pitt and Jennifer Aniston to one another, and recounts their relationship in the international spotlight.

After the death of his mother, a man agrees to travel to Europe as a tourist guide falls in love with the head of the agency.

Using the format of music videos, Zhao films an actor running through the remnants of a traditional Beijing neighborhood that is in the process of being destroyed as a result of urban economic redevelopment.

Five people, one living room. Outside on the street cars are set on fire; from the kitchen comes an unpleasant smell. Only after the wine has been spilled and the issue with the dark matter is solved, the music is turned up. Open-mouth surgery.